Karajan -特里斯坦和伊索尔德 Tristan und Isolde 1952 Bayreuth[APE]

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资源信息： 专辑英文名: Tristan und Isolde 专辑中文名: 特里斯坦和伊索尔德 艺术家: Karajan 资源格式: APE 版本: 1952 Bayreuth 发行时间: 2004年 语言: 德语 概述:

http://images-eu.amazon.com/images/P/B0000CB7RC.02.LZZZZZZZ.jpg 作曲:Richard Wagner 作词:Richard Wagner 指挥:Herbert von Karajan 演唱: Ramon Vinay (Tristan) Ludwing Weber (König Marke) Martha Modl (Isolde) Hans Hotter (Kurwenal) Hermann Uhde (Melot) Ira Malaniuk (Brangänge) 演出:Bayreuth Festival Chorus, Bayreuth Festival Orchestra 录音日期:1952 CD编号：Orfeo C603033D 专辑介绍： The Munich-based Orfeo label has made a name for itself with its discs of live recordings, mostly operatic, taken from more than half a century of Salzburg festivals. Now it has acquired the rights to a similar wealth of archive material from Bayreuth, and this first release, of a recording made in the Festspielhaus in 1952, is certainly the best possible start to its new venture. This performance was the opening night of that year's festival, only the second since the end of the second world war. A new production of Tristan und Isolde was unveiled, directed - as The Ring and the Parsifal had been a year earlier - by Wieland Wagner. Those were the stagings with which Wieland defined a new production style for his grandfather's works at Bayreuth. They also helped him and his brother Wolfgang to rid the festival of many of its historic associations and erase the taint of the Third Reich. Where the previous year his productions of Parsifal and The Ring had been regarded with suspicion by both audiences and critics, Wieland's stripped-down approach suited Tristan perfectly, and the show was widely acclaimed. It helped that under Herbert von Karajan the performance was musically outstanding, and this recording certainly conveys the intensity and the sheer dramatic commitment of all involved. The Isolde was Martha Mödl, who always regarded these Bayreuth performances as her finest achievement, and the way in which she invests every phrase with dramatic presence is startling. The Tristan was Chilean tenor Ramón Vinay, whose vocal resources were amazingly resilient. His tone is heroic, the clarity of his delivery outstanding. With Ludwig Weber as King Mark and Hans Hotter as Kurwenal it is a cast of a quality that could only be imagined today. ————Andrew Clements Friday November 21, 2003 随笔一则：小K的这场演出一直是很多人猎奇的对象，因为原来一直都是小公司的非法出版物。 现在终于由ORFEO发行正式盘，小K的FANS们也终于可以一解相思之苦了。 演绎本人不予置评。 专辑曲目: Disc: 1 1. Prelude 2. Westwarts Schweift Der Blick 3. Frisch Weht Der Wind Der Heimat Zu 4. Weh, Ach Wehe! Dies Zu Dulden! 5. Auf! Auf! Ihr Frauen! Frisch Und Froh! ... Disc: 2 1. Prelude 2. Horst Du Sie Noch? 3. Isolde! Geliebte!/Tristan! Geliebter! 4. O Sink Hernieder, Nacht Der Liebe 5. Einsam Wachend In Der Nacht ... Disc: 3 1. Massig Langsam 2. The Sound Of A Shepherd's Pipe Is Heard 3. Kurwenal! He! Sag, Kurwenal! 4. Hei Nun! Wie Du Kamst? 5. Noch Losch Das Licht Nicht Aus ...