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Terja Rypdal -Crime Scene 犯罪现场 [FLAC]

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发表于 2021-8-9 14:59:32 | 显示全部楼层 |阅读模式

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资源信息:



专辑中文名


: 犯罪现场


歌手


: Terja Rypdal


音乐风格


: 爵士


资源格式


: FLAC


发行时间


: 2010年04月19日


地区


: 德国


语言


: 英语


概述


:




出品厂牌:


ECM Records


唱片编号:


ECM 2041


音乐风格:


Jazz, Big Band, Crossover, Fusion


官方网站:


http://player.ecmrecords.com/rypdal


专辑介绍:


挪威爵士吉他手,爵士音乐家Terje Rypdal是当代欧洲爵士的重要代表人物,是北欧爵士的明星之一;更被誉为吉他之神。他的演奏,把New Age音乐、摇滚和爵士乐的各种元素糅合在一起,创造出自己独特的风格。 1947年Rypdal出生于挪威奥斯陆的一个音乐世家。5岁起学习古典钢琴。后又拜入奥斯陆大学 George Russell门下学习作曲。而他的吉他演奏是自学成才的。其中Jimi Hendrix 对他影响最深。Rypdal个人喜好广且杂,不单单迷恋诸如马勒、格里格、贝多芬、斯托克豪森等古典/当代音乐家;包括Jimi Hendrix、John McLaughlin、 Sex Pistols、Prince在内的一批流行乐手对其创作的影响亦显而易见。 自72年代开始,Terje Rypdal开始展开了他与欧洲爵士乐重要厂牌ECM的合作,至今在该厂牌出版了超过20张专辑。Rypdal热衷于尝试各类元素的融合,在爵士、先锋、新世纪音乐等领域均有建树。更同Bobo Stenson、Palle Mikkelborg、 Miroslav Vitous、Jack DeJohnette和David Darling等大师级人物屡有合作。


这张专辑《犯罪现场》(Crime Scene)为2009年5月于卑尔根(挪威西南部港市)Natjazz爵士节的现场录音,《Crime Scene》为Terje Rypdal的ECM唱片目录增添了一颗强大而又令人兴奋的砝码。尽管这位挪威吉他演奏家/制作人经常给小型乐队、乐团等作曲,但和爵士大乐队联手合作还很少见。





Album Intro


引用 A wildly exciting new album from Norway's electric guitar master, 'Crime Scene' plots a collaboration between Terje Rypdal's Skywards trio, with keyboardist Ståle Storløkken and drummer Paolo Vinaccia, plus old comrade Palle Mikkelborg on trumpet, and the Bergen Big Band, conducted by Olav Dale. The large scale work, commissioned by the Natjazz Festival, was recorded live in Bergen. Terje Rypdal's opus list is vast, and he has often worked with large instrumental forces, but collaborations with jazz big bands have been infrequent. After the well-received 'Vossabrygg' (released 2006), which paid tribute to Miles Davis, the new recording makes reference to John Coltrane, another formative influence, in the writing for large ensemble but also has sections of burning flat-out rock jamming. With some of Rypdal's hottest guitar work in years, it's certain to delight Terje's many followers. The presence of Palle Mikkelborg is another plus point. Mikkelborg was previously a member of Terje's quartet and trio of the late 70s and the old friends have continued to work together intermittently. Ståle Storløkken, perhaps best-known as a founder member of electronic improv band Supersilent, has been playing in trio with Rypdal since 1997. Here he contributes passionate Hammond organ playing. Paolo Vinaccia, in addition to playing taut, propulsive drum patterns, scatters the music with spoken-word samples that add a Noir-ish flair, with hints of everything from Spaghetti westerns to inner city Mob movies...


Album Review


引用 Allaboutjazz reviewed the Bergen premiere: "Rypdal was in fine form...Whether he was playing with a slide or his fingers, his ice-edged tone was instantly recognizable. As was Mikkelborg's, who played trumpet (muted with a Harmon mute at times) and flugelhorn, and making clear his own reference point in Miles Davis..."


From the Artist


引用 An exciting departure for ECM veteran Rypdal, this extended work, commissioned for the 2009 Bergen Festival, begins with a sound of swirling massed horns likely to bring Coltrane to mind. There is more than a hint of “Ascension” in the opening moments of “Crime Scene”, a work paced like a mystery thriller. The music surrounds the Rypdal quartet with Mikkelborg, Storløkken and Vinaccia (all of whom recently appeared on the critically-acclaimed “Vossabrygg”) with a 17-piece jazz big band and keeps the action moving at a fast pace. Allaboutjazz reviewed the Bergen premiere: “Rypdal was in fine form...Whether he was playing with a slide or his fingers, his ice-edged tone was instantly recognizable. As was Mikkelborg's, who played trumpet (muted with a Harmon mute at times) and flugelhorn, and making clear his own reference point in Miles Davis...”


Personnel:



Terje Rypdal


- electric guitar


Palle Mikkelborg


- trumpet


Ståle Storløkken


- Hammond B-3 organ


Paolo Vinaccia


- drums, sampling


Bergen Big Band


, conducted by


Olav Dale


Concert recording, May 2009 at Nattjazz Festival, Bergen



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