Photoshop顶级教程Vol.1 The Photoshop Workbench Volume one [光盘镜像]

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资源信息： 中文名: Photoshop顶级教程Vol.1 英文名: The Photoshop Workbench Volume one 资源格式: 光盘镜像 主讲人: Mark Johnson’s 发行日期: 2009年 概述:

The Photoshop Workbench vol.1第一卷，教程收录世界著名的Photoshop大师Mark Johnson’s 终极实例技术，完全的把Photoshop内在技术功能掏个空。凭借79.95美元的售价，您可以学习到这令人难以置信Photoshop大师技法。 共DVD共超过58小时鼓舞人心的Photoshop技术学习，这些教程可应用于Photoshop CS2，CS3和CS4中。其实无论是photoshop的任何版本，都可以使用这些教程学习到鼓励您和启迪您富有想象力的Photoshop技术。 运行时间：光盘1 - 29小时15分钟/ 光盘2 - 29小时6分钟！超长。 两张盘，比较大，分两次更新

很多网友反映没有源，但是看检测的情况目前应该有十六个完成的，不应该没有源。还望下完的朋友多多供源，谢谢。 disk2由于网络原因，目前上传较慢，但是肯定是有源的，大家可以放心。至少要出5个源我才会撤源发布其它资源。 Photoshop Workbench Volume One is a two DVD set featuring Episodes 1 – 200 of Mark’s world-renowned Photoshop Workbench series. With a selling price of $79.95, you can add this incredible collection to your educational library at a cost of only 40 cents per Workbench ($79.95 for all 200 episodes). Representing more than 58 hours of inspirational Photoshop training, these videos illuminate techniques in Photoshop versions CS2, CS3, and CS4. No matter the Photoshop version, Mark’s friendly and conversational approach to teaching invites you to explore a non-destructive editing style that sets your mind at ease and encourages you to use Photoshop in a joyful and imaginative fashion. Each Workbench is presented in its original quality and size (640 x 480 or 1024 x 768 pixels), and many are Radiant Vista website recordings that are only available on this DVD. The Table of Contents is keyword searchable (Mozilla Firefox and Internet Explorer 8 only) and contains large image thumbnails for easy tutorial recognition. Simply click the title of the Workbench that you wish to view, sit back, and enjoy the learning experience. Please be aware that this DVD is designed for playback on both Macs and PCs, but is not intended for television viewing. Welcome to the ultimate collection of Photoshop tutorials—Photoshop Workbench Volume One! This two DVD set features Episodes 1 – 200 of Mark Johnson’s world-renowned Photoshop Workbench series. With a selling price of $79.95, you can add this incredible collection to your educational library at a cost of only 40 cents per Workbench ($79.95 for all 200 episodes). Representing more than 58 hours of inspirational Photoshop training, these videos illuminate techniques in Photoshop versions CS2, CS3, and CS4. No matter the Photoshop version, Mark’s friendly and conversational approach to teaching invites you to explore a non-destructive editing style that sets your mind at ease and encourages you to use Photoshop in a joyful and imaginative fashion. Each Workbench is presented in its original quality and size (640 x 480 or 1024 x 768 pixels), and many are Radiant Vista website recordings that are only available on this DVD. The Table of Contents is keyword searchable (**recommended web browsers only) and contains large image thumbnails for easy tutorial recognition. Simply click the title of the Workbench that you wish to view, sit back, and enjoy the learning experience. ** To experience full DVD functionality, please consider using the latest version of Mozilla Firefox or Internet Explorer. Other browsers (including Safari and Internet Explorer 7) are likely to experience Table of Contents’ Search field difficulties, but not Workbench playback issues. This DVD is designed for viewing on both Macs and PCs, but is not intended for television viewing. Some Workbenches contain references to the Radiant Vista website. This website is no longer available, but many of its resources now exist on www.msjphotography.com. Running Times: Disc One – 29 hours, 15 minutes / Disc Two – 29 hours, 6 minutes 目录: The complete DVD contents: Disc One 001 – 10:52 – CS2 – Retouching and Color Correcting 002 – 18:01 – CS2 – Using the Info Palette and Curves to Remove a Strong Color Cast, and Color Correcting with the Essential Adjustment Layers 003 – 12:56 – CS2 – Retouching, Color Correcting, and Replacing a Sky 004 – 17:32 – CS2 – Creating a Glowing, Moody, High-Contrast Black and White Image with Accents of Color and Defocused Corners 005 – 10:23 – CS2 – How To Use the Shadow / Highlight Adjustment 006 – 17:18 – CS2 – Imparting an Ethereal Look and Combining Existing Color with Black and White 007 – 18:25 – CS2 – Strengthening the Relationship Between Two Main Subjects Using the Five Essential Adjustment Layers 008 – 13:34 – CS2 – Color Correction and Replacing a Sky with a Manufactured Version 009 – 12:32 – CS2 – Enhancing Complementary Colors and Adding a Vignette 010 – 17:22 – CS2 – Color Management and Color Profiles Overview, and Retouching with the Patch and Clone Stamp Tools 011 – 17:44 – CS2 – Selectively Controlling Focus, Replacing a Sky, Adding Local Contrast, and Exploring Motion Blur 012 – 12:32 – CS2 – Improving a Sunset in a Bus Window, Adding a Vignette, and Exploring Black and White with Color 013 – 13:20 – CS2 – Enhancing Fall Colors, Checking a Histogram, Using Shadow / Highlight, and Adding a Soft Glow 014 – 19:07 – CS2 – Recording the Adjustment Layer Build Action 015 – 15:12 – CS2 – Recovering Shadow and Highlight Detail with Shadow / Highlight, Curves, and the Patch and Clone Stamp Tools 016 – 19:29 – CS2 – Drawing Attention to the Main Subject and an Introduction to Sharpening with Smart Sharpen 017 – 16:00 – CS2 – Leveling a Horizon in the Lens Correction Dialog, Adding a Vignette, and Converting to Black and White 018 – 15:46 – CS2 – Using the Five Essential Adjustment Layers for Color Correction and Exploring a Creative Slap-Zoom Effect 019 – 20:11 – CS2 – Using Shadow / Highlight, Replacing a Sky, Tweaking the Edge Where Sky Meets Horizon, and Draining Color 020 – 16:49 – CS2 – Accentuating the Haunting, Graphic Nature of an Image by Blending Color with Black and White 021 – 23:11 – CS2 – Adding Density to a Sunset with Multiply Mode, Color Correction, and Straightening a Horizon 022 – 15:33 – CS2 – Correcting a Color Cast and Adding a Motion Blur 023 – 16:55 – CS2 – Simulating a Color Grad Filter and Creating the Cotton Candy Waterfall Effect 024 – 21:07 – CS2 – Correcting Pin Cushioning and Barrel Distortion in the Lens Correction Dialog, Removing a Lamppost, and Using Retouching Protection 025 – 16:16 – CS2 – Drawing Attention to the Strongest Elements and Experimenting with a Fisheye Effect 026 – 22:23 – CS2 – Leveling a Horizon, Digital Grafting, Reducing Noise, and Simulating Fog 027 – 20:31 – CS2 – Portrait Retouching (Removing Blemishes, Dodging and Burning, Correcting Skin Tones, Whitening Teeth, and Saturating Lips) 028 – 11:08 – CS2 – Adding Light to Guide the Viewer’s Eye 029 – 16:02 – CS2 – Improving Color Using Selective Color, Hand-Tinting, and Creating a Copyright Brush 030 – 19:18 – CS2 – Accentuating Black and White Elements, Blurring Moving Water, and Replacing a Sky Using a Blending Mode 031 – 19:02 – CS2 – Using the Shadow/Highlight Adjustment, Adding Alpenglow via Advanced Blending, Sharpening with Smart Sharpen, and Using the History Brush 032 – 18:30 – CS2 – Making a Selection with the Magnetic Lasso Tool, Saving the Selection, and Replacing and Blurring the Background 033 – 25:59 – CS2 – Defocusing an Element, Adding Atmospheric Elements such as Steam, and Replacing a Logo 034 – 17:22 – CS2 – Two Approaches for Converting from Color to Black and White – Multiple Hue/Sat Layers and Three Channel Mixer Layers 035 – 19:51 – CS2 – Replacing an Overexposed Background Using Color Range and Various Masking Techniques 036 – 19:59 – CS2 – Toning Down Troubling Highlights and Radially Blurring a Distracting Background 037 – 20:42 – CS2 – How to Incorporate Adobe’s Raw Converter Into Your Workflow and Using the Lens Correction Dialog to Fix Perspective 038 – 19:00 – CS2 – Using Selections to Separate a Subject From the Background (A Pop-Out Photo) 039 – 20:53 – CS2 – Adding Realistic Clouds to a Sky and a Lake 040 – 12:01 – CS2 – Single-Image Mosaic 041 – 14:48 – CS2 – Using Hue/Saturation to Radically Alter Color and Working with Custom Eye Brushes 042 – 12:01 – CS2 – Eliminating Undesirable Elements and Soft-Glow Montage 043 – 14:23 – CS2 – Recording an Action and Batch Processing 044 – 13:51 – CS2 – Intensifying a Sky, Borrowing a Mask, Inverting a Mask, and Adding a Glow to a Light 045 – 15:55 – CS2 – Creating Selective Focus 046 – 17:47 – CS2 – Converting a Photograph Into a Painting Using Filters and Blending Modes, and Adding a Custom Polaroid Border 047 – 16:39 – CS2 – Combining Two Images of the Same Subject to Create the Illusion of Motion 048 – 17:24 – CS2 – Artsy Grunge Effect 049 – 18:28 – CS2 – Automation Overview (Batch Renaming, Adding a Copyright, Batch Processing, Batch Processing in Adobe’s Raw Converter) 050 – 25:07 – CS2 – Sophisticated Retouching Using Protection, Digital Grafting, and the Clone Stamp 051 – 28:14 – CS2 – Hand Coloring a Black and White Image 052 – 13:39 – CS2 – Low-Key Stylized Portrait Effect 053 – 18:16 – CS2 – Multiple Uses for Clipping Masks 054 – 25:42 – CS2 – Painting with Light and Writing an Action to Save Your “Best Of” Images 055 – 28:53 – CS2 – Histogram Overview, Changing a Keyboard Shortcut, Creating a Cotton Candy Waterfall, and Soft-Glow Montage 056 – 24:48 – CS2 – Cropping Non-Destructively, Artful Black and White Conversion, Coffee-Toning, Accentuating Grain, Vignetting Corners, and Adding a Textured Border 057 – 18:18 – CS2 – Using a Smart Object to Wrap an Image Around a Circular Shape 058 – 22:25 – CS2 – Simulating Night Vision and Replacing a Sky Behind Glass 059 – 31:29 – CS2 – Building Density in a Sky, Removing a Blue Cast, and Placing an Image on the Side of a Barn 060 – 26:53 – CS2 – Preparing a Layered Master Photoshop File for Fine Art Printing 061 – 21:30 – CS2 – Creating a Panoramic Motion Collage 062 – 32:56 – CS2 – Black and White Infrared and Color Infrared 063 – 10:42 – CS2 – Creating the Bloom Effect 064 – 13:36 – CS2 – Simulating the Look of a Polarizing Filter 065 – 17:40 – CS2 – Correcting Color Casts When Nothing Neutral is Present 066 – 23:47 – CS2 – Blending Multiple Macro Exposures to Increase Depth of Field 067 – 21:06 – CS2 – Creative Montaging with Blending Modes and Adding a Tattered Edge 068 – 18:35 – CS3 Beta – Enhancing God Beams with Smart Filters and Creating an Animated Look Similar to the Films Waking Life and A Scanner Darkly 069 – 21:47 – CS3 Beta – Fashioning a Realistic Looking Reflection in Water 070 – 23:55 – CS3 Beta – Creating an Image Collage with a Graphic Design Appearance 071 – 22:17 – CS3 Beta – Correcting Perspective in an Architectural Photograph, Stretching Blue Sky, and Adding a Glow to Manmade Lights 072 – 25:49 – CS3 Beta – Creating a Movie Poster from Two Images 073 – 16:53 – CS3 Beta – Examining the Black and White Adjustment Layer in CS3 074 – 16:26 – CS3 Beta – One Fell Swoop Upsampling Using Bicubic Sharper Interpolation 075 – 23:56 – CS3 Beta – Wedding Photography Workflow 076 – 17:28 – CS3 Beta – Processing JPEGs in Adobe Camera Raw 077 – 24:55 – CS2 – Creating a Smart Object Custom Label Template 078 – 27:20 – CS3 Beta – Simulating the “Band of Brothers” Look 079 – 21:16 – CS3 Beta – Cross Processing and Adding a Film Sprocket Border 080 – 34:15 – CS3 Beta – Botanical Dreaming Spring Paint Rollers Composite (Part 1) 081 – 23:52 – CS3 Beta – Botanical Dreaming Spring Paint Rollers Composite (Part 2) 082 – 31:33 – CS3 Beta – Secrets of Selections, Masks, and Layer Styles 083 – 23:36 – CS3 Beta – Making a Great Image Extraordinary Using Local Color Correction 084 – 18:25 – CS3 Beta – Multiple-Exposure Rotate and Zoom Montaging 085 – 24:51 – CS2 – Transforming a Photograph into a Sponge Painting 086 – 14:07 – CS2 – Simulating the Dave Hill Portrait Look 087 – 18:19 – CS3 – Placing a Subject in a Different Background Using Refine Edge on the Mask and Creating a Realistic Shadow 088 – 21:52 – CS3 – Simulating a Graduated Neutral Density Filter and Adding an Organic Brushed In Border 089 – 18:59 – CS3 – Creating a Rotated and Flipped Mirror Montage 090 – 13:48 – CS3 – Working with JPEGs in Adobe Camera Raw and Creating a Soft-Glow Montage Using Smart Objects Disc Two 091 – 13:11 – CS3 – Creating a Gritty Portrait Look 092 – 35:36 – CS3 – Restoring a Weathered Old Photograph 093 – 37:07 – CS3 – Adobe Camera Raw 4.1 Overview and Fine Art Workflow 094 – 18:27 – CS3 – Simulating the Lensbaby Effect 095 – 19:00 – CS3 – Photoshop CS3 Curves Overview 096 – 24:58 – CS3 – Using Photomerge to Stitch a Panorama 097 – 11:30 – CS3 – Using Auto-Align to Improve a Group Portrait 098 – 31:20 – CS3 – Extensive Golf Course Retouching 099 – 17:42 – CS3 – Creating a Smart Object Portrait Template 100 – 25:34 – CS3 – Blend Mode Toning to Achieve Color Harmony 101 – 18:45 – CS3 – Placing One Subject in a Photo Multiple Times 102 – 24:27 – CS3 – Fine Art Black and White Using Multiple Black and White Adjustment Layers 103 – 19:55 – CS3 – A Smart Object Odyssey 104 – 22:02 – CS3 – Motion Toning 105 – 24:26 – CS3 – Transforming a Snapshot into Fine Art 106 – 30:06 – CS3 – Greenscreen Compositing Project 107 – 12:32 – CS3 – Compositing Two Images to Extend Depth of Field and Accentuating Fog 108 – 22:35 – CS3 – Stitching a Panorama, Making Color and Tonal Changes to Individual Panels in Adobe Camera Raw, and Correcting Distortion 109 – 13:17 – CS3 – Painting with Light on a Soft-Glow Montage 110 – 28:11 – CS3 – Using Blend Modes to Replace a Background and Color Correcting 111 – 21:32 – CS3 – Adding Catch Lights, Dodging Eyes, Adding a Vignette, and Creative High Pass Sharpening 112 – 27:22 – CS3 – Using Adobe Camera Raw to Add Light to Shadows, Improve Color, Reduce Noise, and Add a Vignette, and Hand Coloring in Photoshop 113 – 21:34 – CS3 – Combining Black and White with Cross Processing and Filling a Shape with Another Image 114 – 19:17 – CS3 – Using Adobe Camera Raw to Remove Dust from Multiple Images Simultaneously 115 – 14:08 – CS3 – Adding Drive-By Motion Blur and Applying Levels to a Mask 116 – 29:41 – CS3 – Digital Grafting, Balancing Light, and Creating a Surreal Infrared Black and White Effect 117 – 12:15 – CS3 – Adding a Smart Object Watermark to Variously-Sized Images 118 – 18:32 – CS3 – Mimicking the Look of a Pinhole or Toy Camera 119 – 17:02 – CS3 – Building a Digital Skin Tone Swatch File 120 – 20:11 – CS3 – Leveling a Horizon, Changing Day to Night, and Adding a Beam of Light to a Lighthouse 121 – 13:27 – CS3 – Simulating a Graduated Color Filter 122 – 13:54 – CS3 – Combining Photos and Vector Shapes to Make a Poster 123 – 19:37 – CS3 – Converting a Photo into Line Art 124 – 18:26 – CS3 – Extending Tonal Latitude by Combining Two Exposures 125 – 12:03 – CS3 – Creating a “Time Lapse” Photo from a Single Image 126 – 22:23 – CS3 – Multi-Image Montage, Soft-Glow Montage, and Combining Color with Black and White 127 – 16:15 – CS3 – Compositing Images to Create a Tourism Print Advertisement 128 – 27:25 – CS3 – Using Adobe Camera Raw and Photoshop’s Adjustment Layers for Fine Art Color Correction 129 – 16:20 – CS3 – Using a Loose Selection and Curves to Selectively Tonally Adjust an Image 130 – 20:46 – CS3 – Flawlessly Combining Two Handheld Exposures Using Auto-Align 131 – 18:10 – CS3 – Creating a Dramatic Sepia-Toned Wildlife Portrait 132 – 12:52 – CS3 – Applying a Single Mask to Multiple Collaged Images 133 – 09:40 – CS3 – Enhancing a Soft-Glow Montage with High Pass Sharpening 134 – 22:29 – CS3 – Adding a Painterly Quality with Soft-Glow Montage and Light Painting 135 – 12:59 – CS3 – Rotate and Zoom Montage Using a Mask for Stationary Elements 136 – 10:26 – CS3 – Creating God Beams 137 – 09:01 – CS3 – Correcting Color Casts When a Gray Card or Something Neutral is Not Present 138 – 17:54 – CS3 – Using Soft Light Blending Mode to Add a Glow to Lights 139 – 13:40 – CS3 – Black and White Infrared 140 – 19:26 – CS3 – An Exercise in Creative Montaging 141 – 13:21 – CS3 – Hyper-Real Portraiture 142 – 12:49 – CS3 – Creative Edges and Textures without Using a Mask 143 – 10:26 – CS3 – Designing a Triptych 144 – 05:26 – CS3 – Removing Undesirable Subjects Using Median Stack Mode 145 – 09:34 – CS3 – Camera Raw Excitement 146 – 12:36 – CS3 – Vignetting Photographs 147 – 11:48 – CS3 – Improving a High Contrast Scene 148 – 11:18 – CS3 – Digitally Framing Your Work 149 – 11:18 – CS3 – Retouching Along a Sensitive Edge (How to Set Up a Protective Barrier) 150 – 08:35 – CS3 – Displacement Mapping 151 – 10:29 – CS3 – Rendering Clouds 152 – 26:21 – CS3 – High Dynamic Range (HDR) Using Photomatix Pro Overview 153 – 12:37 – CS3 – Creating a Mist Effect 154 – 12:19 – CS3 – Multiple-Exposure Impressionism 155 – 16:36 – CS4 – Drawing Attention to Your Subject 156 – 07:14 – CS4 – Improving a Landscape Photograph with Content-Aware Scaling 157 – 04:39 – CS4 – Retouching at Warp Speed 158 – 09:57 – CS4 – The Sledge Hammer of Color Correction 159 – 13:34 – CS4 – Transforming a Photograph Into a Painting Like You’ve Never Seen Before 160 – 08:00 – CS4 – Compositing with Smart Objects 161 – 08:55 – CS4 – Simulating Dramatic Studio Lighting 162 – 12:17 – CS4 – Right Brain Compositing 163 – 14:53 – CS4 – Secrets of Adobe Camera Raw 5.2 164 – 11:42 – CS4 – Creating Selective Focus 165 – 08:46 – CS4 – Creating a Color Grad Using the Photo Filter 166 – 13:11 – CS4 – Portrait Retouching in Adobe Camera Raw 5.2 167 – 09:59 – CS4 – Straightening Leaning Buildings without Affecting Other Areas 168 – 14:42 – CS4 – Graduated Filter Miracles in ACR 5.2 169 – 21:11 – CS4 – Selecting Difficult Subjects Like Fur And Hair 170 – 07:02 – CS4 – Creative Flash Blending 171 – 12:41 – CS4 – Tossed-on-the-Table Collage 172 – 14:29 – CS4 – Improving the Appearance of Color Infrared 173 – 13:43 – CS4 – Selecting Around Trees 174 – 15:32 – CS4 – Illustration Photo Effect 175 – 12:24 – CS4 – When to Use a Clipping Mask 176 – 14:02 – CS4 – Alternative Tossed-on-the-Table Collage 177 – 11:20 – CS4 – Multiple-Exposure Monet Using Only One Image 178 – 14:50 – CS4 – The Power of a Blur Vignette 179 – 07:42 – CS4 – Bulk Previewing a Series of Images 180 – 20:20 – CS4 – Using Calculations to Make a Difficult Selection 181 – 15:14 – CS4 – The Patch Tool is Your Friend 182 – 25:06 – CS4 – Shedding Light on Photoshop’s Histogram and Info Panels 183 – 11:16 – CS4 – Stylized HDR Effect in Adobe Camera Raw 184 – 11:00 – CS4 – Creating Rounded Corners and Curled Drop Shadows 185 – 12:11 – CS4 – Speedy and Realistic Skin Retouching Using Smart Filters 186 – 17:37 – CS4 – Single-Image HDR Processing with Photomatix 187 – 07:50 – CS4 – Reducing Chromatic Aberration 188 – 10:55 – CS4 – A Selection-free Method for Eliminating Color Where It Meets Black and White 189 – 14:28 – CS4 – Handheld Twilight Photography without Noise. Impossible? Think Again. 190 – 18:45 – CS4 – The Advantage of Converting an HDR Image to Black and White 191 – 10:15 – CS4 – Reducing Noise in an HDR Sky 192 – 11:45 – CS4 – Achieving the Grunge Look 193 – 14:57 – CS4 – Restoring a Weathered Old Photograph 194 – 11:04 – CS4 – Getting Creative with Edges and Borders 195 – 13:36 – CS4 – The Digital Chainsaw (Replacing a Tree) 196 – 07:53 – CS4 – Non-Destructive Shape Layer Masking 197 – 13:48 – CS4 – Using ACR and Smart Objects In Place of Bracketed Exposures 198 – 15:57 – CS4 – Dealing with Hot Spots During the Color Correction Process 199 – 16:18 – CS4 – Icing Your Subject 200 – 18:11 – CS4 – Paper Clipping a Note to a Photograph