Laszlo Heltay Argo Chamber Orchestra -罗西尼：小庄严弥撒；雷斯皮基：森林之神、博蒂切利三幅画等 Rossini:Pet

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资源信息： 专辑英文名: Rossini:Petite Messe solennelle&Respighi:Delta silvane;Trittico botticelliano;etc 专辑中文名: 罗西尼：小庄严弥撒；雷斯皮基：森林之神、博蒂切利三幅画等 艺术家: Laszlo Heltay Argo Chamber Orchestra 资源格式: APE 版本: Decca444 842-2[2CD] 发行时间: 1998年1月13日 地区: 英国 语言: 英语 概述:

资源出处：来源自KAD网络搜索，感谢原发布者的慷慨分享！(APE+CUE+BOOKLET) Xtreme 8.1供源，请勿使用迅雷等吸血客户端！ 演出团队：海尔泰指挥伦敦室内合唱团、Argo协奏团 专辑介绍： 罗西尼《小庄严弥撒》(Petite Messe solennelle) 罗西尼作于1864年的《小庄严弥撒》无疑是音乐史上对宗教礼拜仪式最有天赋的贡献。“小”是一种谦恭的评价。乐思的结构和旋律的节奏上闪烁着智慧的灵光，这是罗西尼内心世界的真诚呼唤，他以一种极其和谐的姿态契合着19世纪的时代足迹。从音乐的自发交融、自由律动和自然流向的角度看，这个版本都有其不可替代的长处。歌唱本身就如此动人，再加上如此有魅力的合唱团演绎，使音乐具有不可抗拒的力量，录音也非常迷人。 这首《小庄严弥撒》既不小，也不庄严，虽然非常美，可绝不虔诚。罗西尼在总谱上附加了他写给上帝的一封信：“这是我可怜的小弥撒曲，”他又写道：“用了些技巧，一点心思，如此而已。感谢主，请准许我进天堂。” 演唱者：Margaret Marshall; Alfreda Hodgson; Robert Tear; Malcolm King 《企鹅》两星 雷斯皮基《森林之神》(Delta silvane) 这首《森林之神》，为女高音与乐队而作，作于1917年。（摘自《音乐圣经》） 雷斯皮基《博蒂切利三幅画》(Trittico botticelliano) 《波提切利的三幅画》开始构思于1927年。长期以来，雷斯皮基不断地从中世纪到巴洛克的艺术风格中吸收营养，当他在佛洛伦萨看到文艺复兴时代画家波提切利的三幅绘画作品《春》、《三圣朝拜》和《维纳斯的诞生》时，便被深深地吸引了，触发了他创作的灵感，于是创作了这套为小乐队的《波提切利的三幅画》。第一曲《春》会让人联想到鸟儿的歌唱，和新发嫩叶摩挲的瑟瑟声响；第二曲《三圣朝拜》隐含了一个典型的主显节赞美诗曲调“哦来吧，哦来吧埃玛纽尔（Emmanuel）”；第三曲《维纳斯的诞生》是一支妩媚的乐曲，伴随柔和轻摇的乐声，仿佛唤起了荡漾的波浪，和轻柔的海风。 雷斯皮基《基督耶稣颂歌》(Lauda per la Natività del Signore) 介绍转自http://www.osscs.org/notes/respighi_laud.html Respighi's cantata Lauda per la Natività del Signore, a setting of a text by the 13th century Franciscan friar Jacopone da Todi, was composed in 1930; it was first performed on November 22 of that year in Siena, under the direction of the composer. In addition to three vocal soloists and chorus, the work is scored for 2 flutes (one doubling piccolo), oboe, English horn, 2 bassoons, triangle, and piano (four hands). The Lauda per la Natività del Signore (or Laud for the Nativity) is a beautiful pastoral work that depicts the nativity of Jesus as the shepherds might have seen it. Respighi employs several archaic forms and devices: madrigals ("Contenti ne andremo"), Monteverdi-like arioso ("Seignor tu sei descieso"), some plainchant, and even a touch of fugue in the "Gloria" section. In addition to chorus, a small wind orchestra and piano, the work features three soloists: soprano ("The Angel"), mezzo-soprano ("Mary"), and tenor ("The Shepherd"). The Lauda is based on a text by Jacopone da Todi, a 13th-century Franciscan poet who was originally a successful practitioner of the law. In 1267 he married a deeply religious noblewoman who did penance for her all-too-worldly husband. The next year when Jacopo insisted that she attend a public tournament against her wishes, his wife was killed when the stands in which she sat collapsed. Following this tragic event, the devastated Jacopo abandoned his profession and his belongings, joined the Franciscan order after a decade of penance, and became a writer of laude (psalms), of which he composed some 200. The famous hymn Stabat Mater Dolorosa is thought to be one of his numerous passionate, mystical poems. He was eventually excommunicated because of his participation in the Spiritual movement, which called for the Church to embrace the ideal of total poverty, and he was imprisoned in 1298 for signing a manifesto against the pope. He was released in 1303 and withdrew to a hermitage, devoting the last three years of his life to composing mystical poems, and dying on Christmas day in 1306. Respighi dedicated his Lauda per la Natività del Signore to Count Guido Chigi Saracini, founder of the Accademia Chigiana in Siena. The work received its premiere in the count's palace on St. Cecilia's Day, 1930, performed by the Piccolo Coro di Santa Cecilia under the direction of the composer; Elsa Respighi sang the role of Mary. A month later, on December 26, the work was first performed in Rome. 演唱者：Robert Tear; Jill Gomez; Meriel Dickinson 《企鹅》三星

专辑曲目: CD1 Rossini: Petite Messe solennelle CD2 1~2 Rossini: Petite Messe solennelle 3~7 Respighi: Delta silvane 8~10 Respighi: Trittico botticelliano 11~15 Respighi: Lauda per la Natività del Signore