Emil Gilels -柴可夫斯基：第一号钢琴协奏曲(Tchaikovsky

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资源信息： 专辑英文名: Tchaikovsky - Piano Concerto 1 专辑中文名: 柴可夫斯基：第一号钢琴协奏曲 别名: 莱纳(指挥)芝加哥交响乐团 艺术家: Emil Gilels 古典类型: 全集作品 资源格式: WV 发行时间: 2002年09月19日 地区: 美国 语言: 英语 概述:

专辑介绍: 吉利尔斯(钢琴) 弗雷兹‧莱纳(指挥)芝加哥交响乐团 名钢琴家与名管弦乐团结合的优美柴可夫斯基。 　　"第一号钢琴协奏曲"是当时苏联名钢琴家吉利尔斯再西方首度亮相时的录音作品，她的神韵丰富，演奏技巧具有钢铁般的强度。在莱纳所指挥的芝加哥交响乐团精确无误的支援下，将全曲导入精彩的最高峰。 　　「胡桃钳」选粹，曲数方面要比通常的组曲来得多一些，莱纳针对演奏会用途，独自选曲，以芭蕾音乐的演奏顺序展开，时间大约有40分鐘左右。 唱片公司：索尼音乐 作曲家：柴可夫斯基指挥：弗瑞兹‧莱纳 演出者：吉利尔斯 乐团：芝加哥交响乐团 系列：Living Stereo 发烧名盘系列 音乐类型：古典音乐 唱片编号：09026685302 Performer: Emil Gilels Orchestra: Chicago Symphony Orchestra Conductor: Fritz Reiner Composer: Tchaikovsky Audio CD (November 19, 2002) Number of Discs: 1 Label: Sony Classics / RCA Victor ASIN: B000003G3W 5.0 out of 5 stars Nearly flawless July 4, 2004 By M. Fisher Format:Audio CD I have 8 recordings of Tchaikovsky's 1st by Gilels; I would say this one ranks in Gilels' top 3 (of his recorded performances). The orchestral accompaniment Gilels' receives from Reiner and the Chicago is better than first-rate (if that is possible!). One of the previous reviewers mentioned distracting tape splicings, but they are hardly noticeable, even on high-end equipment and unforgiving headphones. Of the easily available Gilels' recordings of the 1st, buy this one! Gilels certainly eclipses Cliburn and Horowitz in this work (Richter isn't on the map). Comment | Was this review helpful to you? 4 of 4 people found the following review helpful 5.0 out of 5 stars A performance for the ages May 17, 2010 By Jurgen Lawrenz Format:Audio CD|Amazon Verified Purchase There is no such things as a definitive performance. But one can say that some performances are so utterly convincing that you are left with a feeling "as if" this must be definitive. The present recording is one of these rare occasions. Most people who have ever written on it seem to agree. It is true that there is evidence of some splicing; and as a reading of the work, it may not be as "perfect" as one or two of its rivals where every note is absolutely in the right place. What I mean is that the SPIRIT of this performance is such as to invite you to participate in an occasion, an adventure. It is not a picture postcard of an event, but the real thing. This is what's so exciting about it. This is not even mentioning the wonderfully crafted "fill up", a very generous selection from the Nutcracker ballet. Gilels recorded this work several times, and the difference to the other stereo recording in print is evident instantly. Just play the first 10 seconds from the Gilels/Maazel recording and then this one: RCA in 1955 (!!) captured a cleaner, better, richer sound than EMI engineers 20 years later. So you are instantly captivated by the sound alone; and then follows the recognition of a performance with tremendous sweep and boldness. I have to say that Reiner is definitely instrumental in helping this along: he was a far better conductor than Maazel could ever aspire to. In a word: don't worry too much about niggling imperfections. This is a performance for the ages. It will stand as a beacon to the possibilities of transmitting a sense of greatness via recordings that had few equals in the 100 years that we have been making records. I might add, lest you think I'm just carried away by it, that I have been living with this recording (on LP) since about 1960 and had something like 22 rival version in my collection at one time. None of the others convey that same aura of magnificence. American music lovers who evince a hankering for Cliburn Tchaikovsky: Piano Concerto No. 1; Rachmaninoff: Piano Concerto No. 2 [Hybrid SACD] would find non-Americans immured to it. It is not a great performance, just a great sentimental occasion.

Chicago Symphony Orchestra, Fritz Reiner, conductor Date: 1955

Emil Grigoryevich Gilels (Ukrainian: Емі́ль Григо́рович Гі́лельс, Russian: Эми́ль Григо́рьевич Ги́лельс, Emiľ Grigoriević Gileľs; October 19, 1916 – October 14, 1985) was a Soviet pianist. He is widely considered one of the greatest pianists of the twentieth century. His last name is sometimes transliterated Hilels.

Frederick Martin “Fritz” Reiner (December 19, 1888 – November 15, 1963) was a prominent conductor of opera and symphonic music in the twentieth century. Hungarian born and trained, he emigrated to the United States, in 1922, where he rose to prominence as a conductor with several orchestras. He reached the pinnacle of his career while music director of the Chicago Symphony Orchestra in the 1950s and early 1960s. 专辑曲目: 01. Concerto No. 1 In B-Flat Minor, Op. 23: Allegro non troppo e molto maestoso 02. Concerto No. 1 In B-Flat Minor, Op. 23: Andantino simplice 03. Concerto No. 1 In B-Flat Minor, Op. 23: Allegro con fuoco 04. The Nutcracker, Op. 71 (Excerpts): Overture 05. The Nutcracker, Op. 71 (Excerpts): Christmas Tree Scene 06. The Nutcracker, Op. 71 (Excerpts): March 07. The Nutcracker, Op. 71 (Excerpts): Divertissement - Chocolate: Spanish Dance 08. The Nutcracker, Op. 71 (Excerpts): Divertissement - Coffee: Arabian Dance 09. The Nutcracker, Op. 71 (Excerpts): Divertissement - Tea: Chinese Dance 10. The Nutcracker, Op. 71 (Excerpts): Divertissement - Trepak: Russian Dance 11. The Nutcracker, Op. 71 (Excerpts): Divertissement - Dance Of The Flutes 12. The Nutcracker, Op. 71 (Excerpts): Divertissement - Mother Gigogne And The Clowns 13. The Nutcracker, Op. 71 (Excerpts): Waltz Of The Flowers 14. The Nutcracker, Op. 71 (Excerpts): Pas de deux - Dance Of The Prince And The Sugar-Plum Fair 15. The Nutcracker, Op. 71 (Excerpts): Pas de deux - Variation 1: Tarantella 16. The Nutcracker, Op. 71 (Excerpts): Pas de deux - Variation 2: Dance Of The Sugar-Plum Fairy 17. The Nutcracker, Op. 71 (Excerpts): Pas de deux - Coda 18. The Nutcracker, Op. 71 (Excerpts): Final Waltz 19. The Nutcracker, Op. 71 (Excerpts): Apotheosis