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Various Artists -Opus 3 DSD Showcase 1(Opus3 DSD 2013 绝讚精选 1)[SACD DSD 2.0]

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发表于 2021-8-30 22:48:30 | 显示全部楼层 |阅读模式
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专辑英文名
: Opus 3 DSD Showcase 1


专辑中文名
: Opus3 DSD 2013 绝讚精选 1


歌手
: Various Artists


音乐风格
: 流行


版本
: [SACD DSD 2.0]


发行时间
: 2013年


地区
: 美国


语言
: 英语


概述
:




专辑介绍:
　 对乐音小林这么多年聆听音乐和玩音响的历史中，来自瑞典的蚊级唱片公司 opus 3一直是陪伴著我的唱片公司。怎么说呢？除了音乐偏小眾但是非常用心的制作值得聆听之外。只要是乐音小林调整音响感觉有点走入偏锋，偏向刺激 & 感官的声音走向时，opus 3的自然真实声音录音哲学，可以适度的把乐音小林的「音响之心」拉回来重新思考。 　虽然opus 3出产的唱片专辑数量不多，制作专辑的曲风上也偏向「非主流」，那么 opus 3这么多年来能在业界生存下来的条件是什么呢？一就是质少量精， opus 3的老闆自己认可的专辑才会出版，有的专辑在LP时代已非常有名，CD时代一来临，全世界各地的代理商纷纷要求CD版制作且进货。只是 opus 3老闆Jan-Eric Presson天性凡事都要求尽善尽美，有些专辑甚至早已完成录音长达五六年的时光，他老兄就是不肯出CD，原因在於他认为没有让母带音质达到最高重现之前，他是不会轻易发行的，这种艺术家的个性，造就 opus 3的专辑在录音上几乎没有人说不好，但是让小站颇为怀疑的是有时好几年才出一张专辑的 opus 3到底要怎么活下去？ 　另一点是Jan-Eric Presson录音技巧是业界有名的，这一点是一般发烧小厂生存之道之一，而 opus 3的录音特色在於以「真实自然」闻名於世，所以在发烧音响圈里， opus 3的专辑绝对是不可或缺的测试CD之一，发烧友收藏的「片库」之中没有 opus 3？那么发烧友的资历可能会被眾人存疑。 　有关录音方面，发烧是够发烧了，但没有够深度的音乐内容，那么这个音乐厂牌是不可能生存。opus 3公司的专辑录音之佳举世公认，但是专辑的亲和力却不一定成正比，因为北欧地区因气候的因素，在音乐性上也容易偏向纯净无染居多，在台湾的乐友如果心灵沈静之下之后就容易接受。只是有些专辑在台湾一般乐友的品味上可能会被归类为「曲高和寡」之作，不是这些专辑不够好， 这一点我个人是觉得蛮可惜。但是 opus 3很多张专辑在全世界及港台都得一面倒的推荐，有些艺人在台湾可能根本没有知名度，但是这些演奏者及演唱者的演绎功力也得到许多古典、爵士、蓝调发烧友的一致肯定。 　在台湾的 opus 3销售史上， opus 3从文艺复兴公司 陈老闆手中发扬光大，以前随著文艺复兴公司结束营业， opus 3的CD和台湾的乐友没有见面好几年，随著 opus 3公司的专辑在台的代理权抵定， opus 3的专辑也慢慢的引进国内。当然啦，本站平常也会提供 opus 3最值得优先引进的专辑资讯给唱片公司，本站再随著一般乐友的聆听习惯，再次精选出最著名、最值得收藏的 opus 3公司的专辑，希望让乐友们少了选择的困扰。 【 opus 3 原厂网站】：http://www.opus3records.com/


Opus 3 DSD Showcase 1 Joakim Milder "Here’s that rainy day" / Knud Jörgensen "Teach me Tonight" / Black Beauty "Thomas Örnberg’s Blue Five and the Swedish Jazz Kings" / Eric Bibb "Where the green grass grows" / Tiny Island "Vaquero" / Stockholm Guitar Quartet "La Maja de Goya" / The Erik Westberg Vocal Ensemble & Mattias Wager "Nun kommt der Heiden Heiland" / Okko Kamu, Stockholm Sinfonietta "Beethoven: Scherzo from Symphony No. 2 in D Major / The Omnibus Wind Ensemble "Bizet: Overture to Carmen". DSD64 (2.8MHz) $9.99 and DSD128 (5.6MHz) $12.99 This wonderful sampler starts off with Joakim Milder's "Here’s that rainy day", a mellow jazz selection with saxophone, piano, bass, and drums; recorded in a medium size jazz club. It's so sultry, sexy, and real. This is great jazz and clearly shows off how much of the sonic realism that we have been missing with lower resolution digital and proves to me that well recorded analog is the yardstick to measure against. Next up is Knud Jörgensen's "Teach me Tonight", a classic piano/bass/drums jazz trio from the swing era of the 40s and a nice rendition of this famous standard. This followed by Black Beauty "Thomas Örnberg’s Blue Five and the Swedish Jazz Kings", please see my review of the complete recording above. Eric Bibb's "Where the green grass grows" is the next selection. Eric Bibb is one of my favorites singers, his gospel-folk-blues is so down-home and the sentiments feel so real. He's a great acoustic guitar player too. I would love to have this entire album and indeed all the albums of Eric Bibb in 5.6MHz DSD. Followed by Tiny Island's "Vaquero" which is my favorite song on this sampler and I hope we get a separate release of it. It's one of my all-time favorite SACDs, however as usual the 5.6MHz DSD version is sonically superior to my memory of the SACD version as heard from my modified Yamaha SACD/DVD-Audio player. I'm hoping for a double DSD release of this, it's hard to describe but the music is moving, beautiful and powerful all at the same time. The remainder of the download is filled out with classical pieces: Stockholm Guitar Quartet Enriqué Granados' "La Maja de Goya". This guitar quartet covers 6.5 octaves and thus transcribe many classical orchestral masterpieces for guitar. The Erik Westberg vocal ensemble and Mattias Wager "Nun kommt der Heiden Heiland", Scherzo from Beethoven's "Symphony No. 2 in D Major" by Okko Kamu, Stockholm Sinfonietta and Bizet's "Overture to Carmen" by the The Omnibus Wind Ensemble.


Opus3 DSD Sampler 1: Joakim Milder – Here’s that rainy day (Mellow Jazz with saxophone, piano, doublebass & drums. Recorded in a medium size jazz-club. It presents the saxophone in full dynamic resolution) Knud Jörgensen – Teach me Tonight (Classic piano trio jazz from the swing era of the 40s) Black Beauty – Thomas Örnberg’s Blue Five and the Swedish Jazz Kings (A legendary audiophile track with bas dynamics that revealed the DBX tape system to be inferior to Dolby) Eric Bibb – Where the green grass grows (If you want to explain to people why you’re an audiophile…. just play this track) Tiny Island – Vaquero (A true tribute to how something totally real can sound so outer-worldly and etherial) Stockholm Guitar Quartet – La Maja de Goya (Probably still the only Guitar Quartet in the world that to our knowledge cover 6,5 octaves and thus transcribe many classical orchestralmasterpieces for guitar) The Erik Westberg vocal ensemble & Mattias Wager – Nun kommt der Heiden Heiland (Beautiful quire and Mattias Wager on organ. Goes straight down to 30hz on one organ note) Stockholm Sinfonietta dir.Okko Kamu – Scherzo from Symphony no.2 in D Major (Stockholm Sinfonietta is one of the worlds most celebrated chamber orchestras. Here performing The Scherzo from Beethovens Symphony no.2) The Omnibus Wind Ensemble – Overture to Carmen (Omnibus Wind Ensemble is always dynamic, lively & cheerful. No matter if they are interpreting Bizet or Zappa)



专辑曲目
: 1. Here's that rainy day 2. Teach me Tonight 3. Black Beauty 4. Where the green grass grows 5. Vaquero 6. La Maja de Goya 7. Nun komm der Heiden Heiland 8. Scherzo 9. Overture to Carmen
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