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专辑介绍:
古尔德完全典藏纪念大全集（80 CD）
该系列一共80张CD。收录了钢琴家格伦·古尔德在哥伦比亚公司的所有LP录音。与以前SONY出过的Glenn Gould Edition所不同的是，这套全集少了一些不是在LP上首发的以及一些现场录音，但是多了一些珍贵的钢琴家的访谈录音。
这套全集每张CD都用原版LP转录，并以LP的封面作为CD封面，非常具有收藏价值。由于无法找到每张CD的封面图片，所以在这里无法与大家共享。各张CD的介绍为专辑里的小册子中所附的短文，在下翻译水平有限，还望包涵。
本系列计划用一年的时间全部发布完毕，希望大家多多支持，帮助分流，谢谢。如果有什么问题以及建议，欢迎大家通过论坛短消息或者以下方式联系我：
邮箱及MSN：zhiqiuye@hotmail.com
QQ56168223
CD01 - 哥德堡变奏曲（1955年版）
The Birth of a Legend: Gould’s first recording for Columbia, playing Bach as if someone had parted the curtains and thrown open the windows in a dark, stuffy room. The critics were ecstatic; the release broke all records and is still considered one of the ten most significant and successful classical recordings of all time.
一个传奇的诞生：这是古尔德在哥伦比亚公司的第一个录音。他演奏的巴赫仿佛有人在一个阴暗沉闷的房间里猛然拉开了窗帘，推开紧闭的窗户一样。评论家为之欣喜若狂；这张唱片打破了所有的纪录，直到如今仍然被认为是有史以来最杰出、最成功的十大录音之一。
专辑曲目：
Total Time: 38:23
Johann Sebastian Bach
1-32.Goldberg Variations, BWV 988
Recording: Columbia 30th Street Studio, New York City, USA, June 10, 14-16, 1955
Piano Glenn Gould
CD 02 - 贝多芬最后三首奏鸣曲
Sensation yields to scandal: Gould’s feisty and headstrong treatment of the final triptych in Beethoven’s pianistic “New Testament” outrage the critics no less than his sleeve notes, in which he claimed of op. 111 that “the piece is weak in spots; it needs greater speed. Especially the first movement is such a bad piece that I wanted to get on to the finale.”
轰动终究屈服于毁谤：古尔德对贝多芬的钢琴”新约全书“的最后三首作品生猛而反叛的演绎，同他为之撰写的唱片说明一样，让乐评家怒不可遏。他将作品111号形容为：”缺乏重点，速度也太慢。特别是第一乐章，破烂得让我直想直接进入末乐章。“
专辑曲目：
Total Time: 55:32
Ludwig van Beethoven
1-3.Sonata No. 30 in E Major, Op. 109
Recording: Columbia 30th Street Studio, New York City, USA, June 28 & 29, 1956
4-6.Sonata No. 31 in A-flat Major, Op. 110
Recording: Columbia 30th Street Studio, New York City, USA, June 26 & 27, 1956
7-8.Sonata No. 32 in C minor, Op. 111
Recording: Columbia 30th Street Studio, New York City, USA, June 20, 21 & 25, 1956
Piano Glenn Gould
CD 03 - 贝多芬第二钢琴协奏曲、巴赫第一钢琴协奏曲
CD 03 - Beethoven, Piano Concerto No. 2 & Bach, Piano Concerto No. 1
Gould’s first recording with orchestra, and his first studio collaboration with Leonard Bernstein, fourteen years his senior. “During the first portion of the concerto, Mr. Gould slid out from behind the piano and loped casually about the hall. He shook his head, waved his arms, beat time, and acted generally in a manner that any conductor less accustomed to the ways of genius might have found trying in the extreme. Bernstein took no notice.
这是古尔德第一此与乐队合作的录音，也是他与年长他十四岁的指挥家列奥纳多·伯恩斯坦在录音室里的首次合作。“在协奏曲的第一部分，古尔德从钢琴后溜了出来，在音乐厅里悠闲地迈着大步。他摇晃着脑袋，挥舞手臂打着节拍。或许任何一位指挥家，只要不是对于天才的这种举动见惯不惊的人，都早已忍无可忍。然而，伯恩斯坦竟视若不见。”
专辑曲目：
Total Time: 51:48
Ludwig van Beethoven
1-3.Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. 19
Recording: Columbia 30th Street Studio, New York City, USA, April 9-11, 1957; Mono
Johann Sebastian Bach
4-6.Keyboard Concerto No. 1 in D Minor, BWV 1052
Recording: Columbia 30th Street Studio, New York City, USA, April 11 & 30 1957
Conductor Leonard Bernstein
Piano Glenn Gould
Performer Columbia Symphony Orchestra
CD 04 - 巴赫第五及第六帕蒂塔
CD 04 - Bach, Piano Partitas Nos. 5 & 6
The Fifth Partita was “the worst Bach recording I’ve ever made. It was also the most pianistic. It was perhaps the one that the connoisseur of the piano would like best. It’s the one I like least because it’s least Bach, it’s least mevis-a-vis Bach in any case; it’s full of all sorts of dynamic hang-ups, it’s full of crescendo and diminuendi that have no part in the structure, in the skeleton of that music.” Serious or tongue-in-cheek, who can tell?
第五帕蒂塔是“我最糟的巴赫录音，同时它也是最钢琴化的一个。或许钢琴学者最喜欢的便是这样的录音，而这却是我最不喜欢的因为它最不像巴赫，最没有巴赫的风格；充斥者各式各样的色彩变化以及毫无结构性的渐强和渐弱。”这究竟只是古尔德的玩笑还是严肃的评论，谁知道呢？
专辑曲目：
Total Time: 40:24
Johann Sebastian Bach
1-7.Partita No. 5 in G Major, BWV 829
Recording: Columbia 30th Street Studio, New York City, USA, July 29 & 31, August 1, 1957
8. Fugue in F-Sharp Minor, BWV 883 (from The Well-Tempered Clavier, Book II)
Recording: Columbia 30th Street Studio, New York City, USA, July 29 & 31, August 1, 1957
9. Fugue in E Major, BWV 878 (from The Well-Tempered Clavier, Book II)
Recording: Columbia 30th Street Studio, New York City, USA, July 29 & 31, August 1, 1957
10-16.Partita No. 6 in E Minor, BWV 830
Recording: Columbia 30th Street Studio, New York City, USA, July 29 & 31, August 1, 1957
Piano Glenn Gould
CD 05 - 海顿及莫扎特钢琴奏鸣曲
CD 05 - Haydn & Mozart, Piano Sonatas
Gould later re-recorded both sonatas (see Nos. 40 and 64a). The comparison is shocking, especially in the case of K. 330: the earlier recordings almost five mintes longer! "I think the two versions simply reflect the different pulse rates I had when I played them at the sessions." Mozart's Fantasy and Fugue, in contrast, remained unique: Gould never turned to it again.
古尔德后来重新录制了这两首奏鸣曲（见CD40及CD64a）。其对比是非常鲜明的，特别是在作品K.330里，较早的录音比后来的整整长了将近五分钟。“我认为这两个版本只是反映了我两次录音时不同的脉搏而已。”莫扎特的幻想曲与赋格的录音相比之下显得独特，因为古尔德再也没有录制过这个作品。
专辑曲目：
Total Time: 43:21
Joseph Haydn
1-3.Sonata No. 59 in E-flat Major, Hob.XVI: 49
Recording: Columbia 30th Street Studio, New York City, USA, January 7-10, 1958
Wolfgang Amadeus Mozart
4-6.Piano Sonata No. 10 in C Major, K. 330
Recording: Columbia 30th Street Studio, New York City, USA, January 7-10, 1958
7-8.Fantasia (Prelude) and Fugue for Piano in C Major, K.394
Recording: Columbia 30th Street Studio, New York City, USA, January 7-10, 1958
Piano Glenn Gould
CD 06 - 贝多芬第一与巴赫第五钢琴协奏曲
CD 06 - Beethoven Piano Concerto No. 1 & Bach Piano Concerto No. 5
Instead of Leonard Bernstein, the Columbia Symphony Orchestra was fronte
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发表于 2021-7-26 20:59:07