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资源信息:
专辑中文名: We Put Scissors Where Our Mouths Are
歌手: Bullet Train to Vegas
资源格式: MP3
发行时间: 2005年06月07日
地区: 美国
语言: 英语
概述:
http://image.allmusic.com/00/amg/cov200/drg800/g865/g86588ywknd.jpg
专辑名称:We Put Scissors Where Our Mouths Are
专辑歌手:Bullet Train to Vegas
专辑类型:Post-Hardcore;Indie Rock
唱片公司:Nitro
发行日期:2005
发布码率:192kbps
专辑介绍:
雏形建立于2002年的Bullet Train to Vegas队名缘自Punk乐队Drive Like Jehu的一首歌。乐队的核心人物是主唱兼吉他手Dan Sena,在Bullet Train to Vegas之前,他曾经组织过一支金属乐队Adamantium和另一支Emo乐队Give Until GoneLos Angeles,在之前的乐队解散后,Sena选择了新的挑战,在Punk萧条的背景下,他组建了一支独立朋克乐队,经历最初的磨合后,乐队的配合并不是十分默契,于是,在03年乐队发行了一张EP之后,进行了人员的调整,一个完整的Bullet Train to Vegas成立了:Greg Horton (bass/vocals)、Erik Bailey (guitar)以及Marty Cornish (drums),至此,乐队也终于完全走入了正轨。
这几个家伙拥有精致的声音,音乐中还包含着Gang of Four、Fugazi和Clikatat Ikatowi的元素,2004年的春天,他们开始着手准备自己的处子专辑了。在制作人Alex Newport的帮助下,乐队终于在2005年于著名独立朋克厂牌Nitro旗下发行了首张专辑《We Put Scissors Where Our Mouths Are》。
Imagine if Gang of Four bore the alien two-headed baby of XTC, then imagine that they gave the baby up for adoption and it was raised by Sweep the Leg Johnny. That baby would inevitably grow up and form a band, and the band would probably sound quite a bit like Bullet Train to Vegas. For all of their obvious influences, Bullet Train to Vegas has a surprisingly mature and fully realized sound, as well as the kind of manic energy that can make up for any number of weaknesses. Though they're not a math rock band in any meaningful sense of the word, they somehow manage to make 4/4 sound like 7/8 on a regular basis: try counting along with "RFLCTR BTZ" and "Feeding God to the Lions" and you'll be surprised how easy it turns out to be. "Removing Ground" flirts with actual melody (all the other songs are more screeched and squawked than sung), and "Some Goodbyes Last Forever" appropriates a classic Motown drum trope and uses it to advance the band's own bizarro sonic agenda. But the album's best track is "Fashion the New Black," an airtight, almost claustrophobic ode to...well, something. Cocaine? Suicide? Haute couture? It's hard to say. Recommended.
70年代里,朋克音乐一直朝着美国主流音乐的方向发展,到了80年代已经出现了一批代表中坚力量的乐队。90年代初----在朋克音乐出现将近20年后——美国第一次发行了本土的朋克摇滚打击乐的唱片集和单曲。本质上说,复兴朋克乐队都是传统主义者——他们延续了如Sex Pistols,The Stooges,The Jam,The Exploited,Black Flag,Dead Kennedys,The Descendents以及其他许多的坚定的朋克乐队的音乐风格。自从80年代后期朋克演变为速度金属后,这些传统的朋克乐队在音乐表达上自然比最初激烈了许多,然而这正是朋克音乐在美国吸引了大量听众的部分原因——音乐更为简单激烈,很像是速度更快更为猛烈的车库摇滚。第一批侵入美国主流音乐的朋克复兴主义乐队是Green Day和Offspring,他们的成功促进了一批跟随者的团结,如Rancid,Nofx,Pennywise和Pansy Division,同时,将被忽略的80年代的朋克乐队如Bad Religion以及地下朋克流派如第三波斯卡复兴推到了聚光灯下。
专辑曲目:
1. Cut The Party To Pieces
2. Prescription For The Blind, A
3. Camera Eye Backbite, The
4. On The Disclosure
5. RFLCTR BTZ
6. This Bed's Meant For Two
7. And Sorrows Native Son
8. Feeding God To The Lions
9. Removing Ground
10. Fashion The New Black
11. Some Goodbyes Last Forever
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