Janine Jansen -普罗可菲夫：第二号小提琴协奏曲、小提琴奏鸣曲(Janine Jansen Plays Prokofiev )[24 bits 96

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资源信息： 专辑英文名: Janine Jansen Plays Prokofiev 专辑中文名: 普罗可菲夫：第二号小提琴协奏曲、小提琴奏鸣曲 艺术家: Janine Jansen 古典类型: 全集作品 资源格式: FLAC 版本: [24 bits 96 KHz] 发行时间: 2015年 地区: 美国 语言: 英语 概述:

专辑介绍: 吉妮．杨森一生中最重要的老师有两位，第一位是拉托维亚籍的菲利佩．赫许宏（Philippe Hirschhorn），他是1967年伊莉莎白皇后金牌得主，在他之前的金牌，分别由欧伊斯特拉夫（1937年获奖）、柯冈（1951年获奖）等人获得，同年参赛的克莱默则只得到第三名。这说明了吉妮．杨森是出身自不凡的俄罗斯小提琴学派世家。赫许宏被誉为是当代的帕格尼尼，可是日后发展却远逊於第三名的克莱默。可惜他在1996年就因为脑癌以五十岁之龄过世，虽然被公认是提琴界的不世英才，却没有留下太多录音。 杨森的第二任老师贝尔肯一样是俄国小提琴学派的传人，七岁就在孔德拉辛指挥下登台。之后在莫斯科中央音乐院就学时，先后接受史坦等人的指导。学生时代就已经在舞台上非常活跃，二十五岁以后移民西方，今年六十四岁的他依然以独奏家的身份活跃於世界各地舞台。如此的师承，确保了杨森正统的俄罗斯小提琴学派血统，也解释了她琴音中有那种俄国小提琴家才独有的凌厉感和细腻度，也让我们瞭解到她演奏时的特殊爆发力，那正是俄国小提琴家所独有。 2012年三十四岁的杨森，每张专辑都别出心裁，给人不一样的音乐面貌和詮释风格，也因此一直是古典乐界最畅销的小提琴家之一，而且她的录音更为许多新一代iPod族所钟情，最常被电脑族下载，因而被称为「下载女王」。这次，她挑选了身为俄国小提琴学派最拿手的普罗高菲夫作品，将第二号小提琴协奏曲与两首室内乐：双小提琴奏鸣曲与小提琴奏鸣曲并列，如此罕见的曲目安排，让乐迷们见识了她身为俄罗斯小提琴学派正统传人的道地身手。 Prokofiev: Violin Concerto No. 2, Violin Sonatas nos.1&2 / Janine Jansen 普罗可菲夫：第二号小提琴协奏曲、小提琴奏鸣曲 / 吉妮．杨森，小提琴 发行公司：Linfair Records Limited/DECCA 演出者：吉妮．杨森 Janine Jansen 产品编号：4783546 发行日期：2012/11/30 张数：1 张 - 1CD Sergei Prokofiev Violin Concerto No. 2 in G minor, Op. 63 1 I. Allegro moderato 2 II. Andante assai 3 III. Allegro, ben marcato Sergei Prokofiev Sonata for 2 Violins in C major, Op. 56 4 I. Andante cantabile 5 II. Allegro 6 III. Commodo (quasi allegretto) 7 IV. Allegro con brio Sergei Prokofiev Violin Sonata No. 1 in F minor, Op. 80 8 I. Andante assai 9 II. Allegro brusco 10 III. Andante 11 IV. Allegrissimo – Andante assai, come prima 杨森演奏普罗科菲耶夫 【吉妮．杨森】演出者 Janine Jansen 国籍：荷兰 性别：女 　　吉妮．杨森是一位充满个人魅力的新世代小提琴演奏家，现年不到三十岁演奏足迹早已遍及大西洋两岸。不仅在祖国家喻户晓，在国际上亦逐步建立名声。刚出道时，伦敦报纸评论她「似乎拥有了一切—年轻、美丽如雕像、令人惊讶的技巧、愉悦的诗意＂歌声＂，以及迷人的演奏风范！」。「英国卫报」引述爱乐管弦乐团指挥—阿胥肯纳吉的评论：「小提琴新秀杨森演奏之柴可夫斯基小提琴协奏曲令人惊嘆……」。 　　吉妮．杨森来自荷兰，是一位个性鲜活、直觉敏锐的艺术家。由於专辑《四季》在iTune网路商店的销售成功，为她赢得「下载之后」（Queen of the Download）的封号。耀眼的詮释技巧，没有空洞的炫技展示，只有她用心感受的乐曲之美。新世代的小提琴演奏家之后冠非她莫属。 　　六岁开始学习小提琴，十岁首度公开演奏。从Utrecht音乐院毕业后，与知名小提琴家贝尔京（Boris Belkin）习琴。1997年於阿姆斯特丹音乐会堂首度登臺，不久又再度获邀演出，此后欧洲与世界各地皆竞相邀约。1998年加入隶属於柏林爱乐的重要室内乐团 — 柏林光谱合奏团（Spectrum Concerts Berlin）。2003年9月，获得荷兰文化部颁赠的荷兰音乐奖肯定，这是荷兰艺术家所享有的最高荣誉。2004年9月，由於她为Decca所录制的首张个人专辑十分成功，荷兰的爱迪生奖颁赠她古典公眾奖（Classic Public Award，这是一个透过网路、电话与选票，由乐迷所决定的奖项）。目前吉妮．杨森所使用的是史特拉底瓦裏於1727年所制作的＂Barrere＂琴。因其杰出表现，芝加哥史特拉底瓦裏协会才决定协助她获得这把名琴。优异的演奏技巧与其姣好身材与面容，以及如虎添翼的名琴助威，无论听觉与视觉，吉妮．杨森都给了乐迷至高的享受！ 　　从九岁被老师安排在钢琴五重奏中与人合奏后，吉妮．杨森就喜欢上室内音乐演奏的乐趣和美感，从中她也学到了与其他乐手亲密的互动和如何在这样的互动中，表现自己。而自从1998年以来，她更成为柏林「光谱音乐会」的固定乐手，长期在柏林爱乐厅中与其他乐手合奏室内乐。这样的经验让她在2003年在祖国荷兰的乌特勒支市创办了自己的室内音乐节，邀请当今最显赫的乐手包括安斯涅、提鲍德、凡格罗夫、麦斯基等音乐理念与她相近的名家前去与她合奏。 　　2006年当她在柏林爱乐的温布尼录天剧场，对著两万五千名的露天观眾演出时，因为出色的演奏，赢得了全场的起立喝采，这是向来严格的柏林听眾不轻易给外国演奏家的讚赏，而吉妮得到了。 　　「荷兰青年小提琴家吉妮．杨森……一位个性鲜活、直觉敏锐的艺术家。在她所演奏布鲁赫小提琴协奏曲，一开始便将张力与呐喊融入音符中；接下来的第二个乐句，她毫不费力地，一口气便将音符的动态扩大，犹如闪电一般。藉由强力的双音以及附点的节奏，主题快速地爆发出火焰。此处没有空洞的技巧展示，只有她用心感受的乐曲之美。慢板的旋律悸动著热切的期盼，之后神奇地获得舒缓。在吉普赛风格的终曲里，她的手指飞杨、屈膝、时而头髮垂落，所呈现的结果犹如舞蹈般的欢愉！」 - 2004年3月26日　时代杂誌 Orchestra: London Philharmonic Orchestra Conductor: Vladimir Jurowski Composer: Sergei Sergeyevich Prokofiev Audio CD (October 16, 2012) SPARS Code: DDD Number of Discs: 1 Label: Decca ASIN: B008W5TCV8 Average Customer Review: 4.3 out of 5 stars Janine Jansen has been a top-selling artist since her debut recording in 2004 for Decca sold 300,000 records. A major star in Europe, especially the Netherlands, Jansen has frequently topped the classical charts and featured in the pop charts. For this release, Jansen is accompanied in the concerto by the London Philharmonic Orchestra under its Russian-born Principal Conductor Vladimir Jurowski. When she played the work with the LPO in London as part of its 2012 “Prokofiev: Man of the People?” festival, The Times hailed her as “a violinist who is right now on matchless form … a player that you follow wherever she leads” Composed in the mid1930s, on the eve of his return to the USSR, Prokofiev’s much-loved Violin Concerto No.2 boasts the same accessible tunefulness and emotional directness as his enduringly popular ballet Romeo and Juliet, whose love music is ravishingly recalled in the soaring, songlike lyricism of the concerto’s slow central movement. For contrast the concerto is coupled with two chamber works conceived in the same decade: the stark yet expressive Sonata for Two Violins (1932) and the darkly tragic Violin Sonata No.1 (1938–46), which constitutes the composer’s covert memorial to those many friends and colleagues lost during Stalin’s Great Terror and the subsequent World War. Release Date October 1, 2012 Duration 01:12:50 Genre Classical Styles Concerto AllMusic Review by James Manheim [-] Dutch violinist Janine Jansen has made some unorthodox recordings (check out her Vivaldi Four Seasons sometime), but here, in a work in which proportion and technique are exquisitely balanced, she plays it straight with impressive results. Prokofiev's Violin Concerto No. 2, composed in 1935 just before his return to the Soviet Union from France, has always been a popular repertory item, but Jansen's reading, ably accompanied by the London Philharmonic Orchestra under Vladimir Jurowski, has a pearly quality throughout, a kind of bright ease, that comes only at the highest levels of technique. Also notable is the combination of the concerto, not with the usual and unnecessary second repertory violin-and-orchestra piece, but with violin works of Prokofiev from roughly the same period. The program as a whole gives not only an added dose of the composer's unusually idiomatic violin writing, but also a slice of his life: the other two pieces are later than the concerto and represent further stages of his compositional life. The rarely heard Sonata for two violins in C major, Op. 56, is a spare and very attractive work that bears some relationship to the genesis of the concerto. The Violin Sonata No. 1 in F minor, Op. 80/1, on the other hand, is a Prokofiev work of the late 1930s, after the grim ramifications of Stalinism for creative artists (not to mention just about everybody else) had begun to sink in; it's one of the few Prokofiev works with an emotional content similar to the sense of menace in much of Shostakovich's output. Jansen gets this tone, always a tricky proposition for a non-Russian, and her playing throughout is both perfect and vibrant. If there's a complaint it's with the sound; the duo sonata is closely and harshly miked, capturing the experience of sitting on a piano bench next to the performers rather than that of hearing them in an acoustically well-planned hall. The concerto and the violin-and-piano sonata are better, but no great shakes.

专辑曲目: Violin Concerto No.2 in G minor, Op.63 01. I. Allegro moderato 10:51 02. II. Andante assai 9:47 03. III. Allegro, ben marcato 6:24 Sonata in C major for 2 Violins, Op.56 04. I. Andante cantabile 2:51 05. II. Allegro 3:16 06. II. Commodo (quasi allegretto) 4:29 07. IV. Allegro con brio 5:53 Sonata for Violin and Piano No.1 in F minor, Op.80 08. I. Andante assai 7:20 09. II. Allegro brusco 7:03 10. III. Andante 7:41 11. IV. Allegrissimo 7:22 The Love For Three Oranges. Op.33 12. March 1:46 5 Mélodies, Op.35bis 13. I. Andante 2:19 Total Playing Time 77:02