Various Artists -爵士精选与音响测试指南三 Best Of Chesky Jazz And More Audiophile Tests Volu

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资源信息： 专辑英文名: Best Of Chesky Jazz And More Audiophile Tests Volume 3 专辑中文名: 爵士精选与音响测试指南三 歌手: Various Artists 资源格式: APE 发行时间: 1994年08月01日 地区: 美国 语言: 英语 概述:

专辑介绍: *欲瞭发烧音响事，更上一层楼。 *由John Henry主讲，带您逐步进入立体声音响测试的世界， 例如立体麦克风技术解说、人工及自然空间感、人工及自然 成像等，并介绍Chesky独创20-bit高解析录音的程序。 *收录歌曲11首含Ana Caram、Rebecca Pidgeon、Sara K.、 Leny Andrade、Badi Assad等Chesky发烧天后的招牌歌曲， 以及完整版音响测试专用34轨。 「爵士古典精华及音响测试（三）」，里面则收录了佛烈得·赫许三重奏（The Fred Hersch Trio）所詮释的Dizzy Gillespie名曲「Con Alma」、黑人女歌手拉芬·巴特勒（LaVerne Butler）所重唱的慢板爵士经典情歌「I Cover Waterfront」，古典乐曲则有「康乃迪克早期音乐节庆合奏团」（Connecticut Early Music Festival Ensemble）詮释韦瓦第（Vivaldi）的「四季／冬」，以及西敏寺合唱团（Westminster Choir）演唱莫札特（Mozart）的作品「圣体颂」（Ave Verum Corpus）。除了演奏、演唱的乐曲以外，这两张作品可以说是让乐迷们认识所谓「音效」的最佳入门片--完整呈现Chesky Records的音乐理念：在专辑中呈现出音乐的「空间感」。一般乐迷对於录音室里面的种种细节安排可能没有很明确的概念，但是在听过这两张唱片里面所进行的种种音效试验以后，大致上就可以了解，什么是「音场」（Sound-stage）的概念：声源位於各个不同方位，到底各自会呈现什么不同效果？「音场」的「深度」（depth）是怎么一回事？在录音室里面，麦克风的不同摆设方式、乐器位置的不同分布安排，又分别会呈现什么不同的「空间感」（ambience）数位的录音方式与类比的录音方式又有何不同？这一切都可以获得解答。 专辑曲目: 01. Anna Caram/ Africando Jd104 03:44 02. Livingston Taylor/ Out Of This World Jd97 02:40 03. Leny Andrade/ Wave Jd113 05:50 04. Connecticut Early Music Festival Ensemble/ Winter Cd78 03:27 05. Rebecca Pidgeon/ Grandmother Jd115 06:25 06. Orquesta Nova/ Battery Park Jd86 05:08 07. Laverne Butler/ I Cover The Waterfront JD9 06:06 08. Sara K./ Horse I Used To Ride Jd105 04:26 09. Fred Hersch Trio/ Con Alma Jd116 05:56 10. Badi Assad/ Num Pagode Em Planaltina Jd99 04:41 11. Westminster Choir/ Ave Verum Corpus Cd83 03:39 12. Announcement/ Artificial Stereo Demonstration 01:25 13. Microphone Technique: Mono Mike 00:38 14. Microphone Technique: Artificial Stereo 00:46 15. Microphone Technique: XY Cardiodid Technique 00:40 16. Microphone Technique: XY And Added Ambience 00:43 17. Microphone Technique: XY With Increased Ambience 00:45 18. Microphone Technique: Crossed Figures 8's 00:46 19. Microphone Technique: Spaced Pair If Omnis 00:42 20. Microphone Technique: Three Spaced Omnis 00:43 21. Instrument Placement: Announcement 00:14 22. Instrument Placement: Piano Against The Wall Of Studio 00:24 23. Instrument Placement: Piano In The Middle Of The Studio 00:16 24. Natural Vs. Artificial Space: Announcement 00:23 25. Natural Vs. Artificial Space: Drum Set Recorded In A Dry Studio 01:00 26. Natural Vs. Artificial Space: Drum Set In A Live Studio 00:52 27. Natural Vs. Artificial Space: Drum Set With Artificial Reverberatio 00:45 28. Natural Vs. Artificial Imaging: Natural Stereo Imaging 01:44 29. Natural Vs. Artificial Imaging: Artificial Stereo Imaging 01:28 30. Natural Vs. Compressed Dynamics: Introduction To Compressors 00:57 31. Natural Vs. Compressed Dynamics: Jazz Group With Compression 00:15 32. Natural Vs. Compressed Dynamics: Jazz Group Without Compression 00:14 33. New 20-Bit High-Resolution Technology 02:04 34. Dirty Vs. Clean Power: Violin Recorded With Dirty Power 00:24 35. Dirty Vs. Clean Power: Violin Recorded With Clean Power 00:24 36. Digital Vs. Analog Tape: 20-Bit, All Digital Recording 00:43 37. Digital Vs. Analog Tape: 20-Bit Recording Made From Analog Tape 00:44 38. Equipment And Cable Burn-In SIgnal 01:07 39. Volume Level Warning ! 00:09 40. 16-Bit Vs. 20-Bit A/D: Music At -30dB Into 16 Bit System 00:45 41. 16-Bit Vs. 20-Bit A/D: Music At -30 Db Into 20 Bit With High Resolution Dither 00:41 42. Fade To Noise Tests: Fade To Noice, No Dither 00:18 43. Fade To Noise Tests: Fad To Noise, Flat Dither 00:30 44. Fade To Noise Tests: Fad To Noise, High Resolution Dither 00:31 45. Volume Level Warning ! 00:06