David Oistrakh -奥依斯特拉赫：必不可少的 The Essential RCA[APE]

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资源信息： 专辑英文名: The Essential 专辑中文名: 奥依斯特拉赫：必不可少的 艺术家: David Oistrakh 资源格式: APE 版本: RCA 发行时间: 2000年 地区: 俄罗斯 概述:

作曲：Mozart, Brahms, Beethoven, Schostakovich 指挥：Konderashin, Rozhdestvensky, Mravinsky 演出：David Oistrakh 乐团：Moscow Philharmonic Orchestra & Leningrad Philharmonic Orchestra 录音日期：1963,1968,1956,1967 发行公司：RCA CD编号：74321 72914 2 资源出处(Credit)：pech 专辑介绍： 大卫·奥依斯特拉赫在小提琴的艺术成就是举世公认的，因此常被乐坛比喻为“东方的帕格尼尼”、“小提琴界的沙皇”以及“最内敛的划时代演奏大师”；曾经有评论家形容他的演奏音色具有不可思议的甜美特质而使人神往。 奥依斯特拉赫不但是个杰出的音乐家，同时也是一位人格崇高的良师益友。他的小提琴家好友曼纽因（Yehudi Menuhin）就曾经表示：“他的为人就像他所演奏出的音乐一样纯洁无瑕”。奥依斯特拉赫无可挑剔的音质并非肇因绝佳的技巧；他的注册商标是福至心灵、如歌唱似的优美旋律。 这种独特的演奏方式兼具平易近人般的温暖，以及皇家贵族般的高雅。所以，奥依斯特拉赫名符其实地在众多20世纪小提琴家当中被尊为“慢板乐章的大师”。“听了他的演奏之后，世界彷佛变得更美丽许多”名指挥家桑德林（Kurt Sanderling）如此回忆道。 Record Review 作者：Dan Devis "David Oistrakh", proclaims the cover in both English and Cyrillic, followed by "The Essential". Lest the unsuspecting prospective listener think this two-disc set is a compilation of the great violinist's essential recordings, it's not. Many will prefer other Oistrakh versions of some of these pieces offered here. And while he plays everything with his consummate skill and emotional intensity, he's undercut by shrill sound on the first disc of the set (disc two is quite acceptable). The result: an unpleasant glare in the violin's higher reaches and a thinning out of Oistrakh's trademark tonal lushness. The crummy original Soviet engineering isn't helped much by German BMG's aggressive transfer techniques which compromise some of the label's other Melodiya reissues. Disc One is made up of live concert performances from 1963 and 1968. It opens with Mozart's Concerto No. 1, played with Romantic ardor and a marvelously inward Adagio movement that's irresistible despite the strictures of the period performance police. A dynamic Brahms Concerto with Kondrashin follows, seething with the tension of its concert setting. It's a fascinating document but so are Oistrakh's versions with Klemperer, or Konwitschny, each quite different from the other. The disc ends with Beethoven's two Romances for Violin and Orchestra, lovely in conception and execution. Disc Two is indeed "essential" Oistrakh--the two Shostakovich Concertos. He premiered the first and was the dedicatee of the second. Here we get the First in Oistrakh's 1956 partnership with Mravinsky and the Leningrad Philharmonic a year after the pair premiered the work (the only item on the set that's not in stereo). It's a gripping performance, full of passion and drive, fortunately impactful in this transfer. It's cut from the same cloth as Oistrakh's recording made the same year with Mitropoulos and the New York Philharmonic in even better mono. The Second Concerto with Kondrashin at the helm, dates from 1967 and has the best sound on the set--full-bodied, wide-ranging stereo. Maxim Vengerov's Teldec versions of the two concertos are excellent alternatives in modern sound, but these are works Oistrakh owned and go far to justify the set's "essential" tag. 转载自：Classics Today 原文网页：http://www.classicstoday.com/review.asp?ReviewNum=1692 专辑曲目: CD 1 Wolfgang Amadeus Mozart, Violin Concerto No. 1 in B flat major, K. 207 1 Allegro moderato 2 Adagio 3 Presto Johannes Brahms, Violin Concerto in D major, Op. 77 4 Allegro non troppo 5 Adagio 6 Allegro giocoso, ma non troppo vivace 7 Ludwig van Beethoven, Romance for violin & orchestra No. 1 in G major, Op. 40 8 Ludwig van Beethoven, Romance for violin & orchestra No. 2 in F major, Op. 50 CD 2 Dmitry Shostakovich, Violin Concerto No. 1, in A minor, Op. 99 (revision of Op. 77) 1 Nocturno(Moderato) 2 Scherzo(Allegro) 3 Passacaglia(Andante)- attaca 4 Burlesque(Allegro non brio) Dmitry Shostakovich, Violin Concerto No. 2, in C sharp minor, Op. 129 5 Moderato 6 Adagio- Adagio . Allegro