Robbie Williams -Swing When You re Winning 摇摇领先 [iTunes Plus AAC]

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资源信息： 专辑英文名: Swing When You're Winning 专辑中文名: 摇摇领先 歌手: Robbie Williams 别名: 罗比·威廉姆斯 音乐风格: 爵士 版本: [iTunes Plus AAC] 发行时间: 2001年11月19日 地区: 美国,英国 语言: 英语 概述:

唱片公司: 2001 Chrysalis Records Ltd 音乐

类型:

Jazz 压缩比率: 256K iTunes Plus AAC 相关链接: iTunes 专辑介绍: 正版iTunes Plus AAC (256Kbps).若想了解AAC格式音频.请点我跳转. 脱下裤子，穿上西装，骂完脏话，继续摇摆，全新音乐灵魂挑战流行传奇经典。 2001年英国圣诞冠军金曲提早曝光：罗比与[红磨坊]女主角妮可基得曼亲密对唱之[太傻]。 你猜不透他的想法，你甚至无法预测他的下一步，因为他是罗比威廉斯！他曾是90年代首席男孩偶像团体接招Take that的成员，他现在是英国新世纪流行天王，他是拥有12座全英音乐奖的记录保持人，突然间，他却飞抵洛杉机录制一张重唱摇摆乐经典作的专辑摇摇领先， Swing when you're winning。置身于世界著名的音乐厂牌Capitol 的顶楼录音室，愉悦地享受录唱时光。罗比个人对法兰克辛纳特拉与狄恩马丁的热爱，以及他原本为（BJ单身日记）电影原声带灌唱 Have you met miss jones?“所引发的狂潮，激发了罗比制作摇摇领先Swing when you're winning的点子，除了辛纳特拉、马丁、小山姆戴维斯（Sammy davis jr）”纳京高（Nat King Cole）,巴比达林（Bobby darin）唱红的流行经典以及“The lady is a tramp”,"Mr bojangles"等Rat pack招牌作与不朽致命情歌“Mack the knife”.在精挑细选的至尊级曲目之处，罗比与Guy chambers还携手打造一首原创曲“I will talk and hollywood will listen”，两人以精致隆重的管弦乐编曲，体验一段长达四分钟，如电影情境般的华丽听觉惊艳。巨星对唱全作则是摇摇领先Swing when you're winning，另一个深独瞩目的焦点，哑巴歌手女主角珍霍洛丝（Jane horrocks）在“Things”中与罗比精采呈现歌曲的诙谐机智性格，美国最受欢迎综艺秀周末夜现场（Snl）名角强洛维兹（Jon lovitz）则在“Well,did you evah”(辛纳特拉与平克劳斯贝主演电影上流社会High society所合唱的畅销曲)中稳健拿捏，主演电影新娘不是我，好事成双的鲁伯特艾略特（Rupert everett）则与罗比联手重绎格时温精彩经典“They can't take that”而在“Me and my shadow”中，罗比与挚友强纳森怀克斯（Jonathan wikes）来一段歌艺大对唱“Away from me”，不过，家人目光的焦点应该会集中在与拥容华丽的红磨坊女主角坭可基曼（Nicole kidman）合作的“Something stupid”对于录唱成品感到惊讶的坭可坦承说：罗比是那种你最企盼能够合作的可人儿，他让我就得相当悠闲自，而且歌曲本身也真的非常特别，你可说这是一次相当来电的歌唱经验。 弹指打拍弹到酸，尽情摇摆摇到痛，摇摇领先Swing when you're winning 就是这么棒，套句罗比威廉斯说过的话：非常的法兰克辛纳特拉，真的！ 引用(iTunes) Album Review Performance dynamo and chameleonic entertainment personality Robbie Williams made a rapid transformation — from English football hooligan to dapper saloon singer — for his fourth LP, Swing When You're Winning. Still, Williams' tribute to the great American songbook is a surprisingly natural fit with its intended target: '50s trad-pop patriarchs like Frank Sinatra and Dean Martin. And just like those two loveable rogues, Williams has brawled and boozed in the past, but isn't afraid to wear his heart on his sleeve; in fact, he's one of the few modern pop stars to fully embrace affecting balladry and nuanced singing. Williams and longtime producer Guy Chambers are also extremely careful with their product, so it shouldn't be surprising that Swing When You're Winning has innumerable extra-musical touches to carry it over: the cover features Williams relaxing in the studio in a period suit; his contract with EMI enabled the addition of the treasured Capitol logo at the top of the sleeve, and several tracks were even recorded at the famed Capitol tower in Hollywood. Fortunately, Williams is no less careful with his performances. Since he lacks the authoritative air of master crooners like Sinatra and Bing Crosby (along with the rest of humanity), he instead plays up his closer connections to the world of Broadway. His readings are dynamic and emotional — sometimes a consequence of trying to put a new spin on these classics (six of the covers are Sinatra standards, three are Bobby Darin's). He also invited, with nearly universal success, a series of duet partners: Nicole Kidman for the sublime "Somethin' Stupid," Jon Lovitz for the irresistibly catty "Well, Did You Evah," Rupert Everett for "They Can't Take That Away From Me," longtime Sinatra accompanist Bill Miller on "One for My Baby," even Sinatra himself for a version of "It Was a Very Good Year" on which Williams takes the first two verses (over the 1965 arrangement), then bows out as Sinatra's original counsels him concerning the later stages of life. Though it may be an overly close tribute to a familiar original (like many of the songs here), Williams' considerable skills with expression and interpretation largely overwhelm any close criticism. He's definitely much better on the comedy songs, especially the hilarious "Well, Did You Evah" (originally a duet for Crosby and Sinatra in the 1956 film High Society). Lovitz's rounded tones and faux-affected airs are a spot-on interpretation of Brother Cros, while Williams' emulation of a boorish lug ("That's a nice dress — think I could talk her out of it?") is nearly perfect as well. Though arranger Steve Sidwell hasn't done many charts (and those for the movies Moulin Rouge, Bridget Jones' Diary, and Romeo + Juliet), he also acquits himself nicely aping classic scores for "One for My Baby" and "Beyond the Sea." The lone Robbie Williams original is "I Will Talk and Hollywood Will Listen," a sweeping pipe-dream fantasy of true American superstardom for Britain's biggest pop star. It could happen, too; Pierce Brosnan surely isn't growing any younger.

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