Paul Hillier -阿贝兰德：中世纪僧侣歌曲等 Peter Abelard: 12th Century Monophonic Chant etc Har

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资源信息： 专辑英文名: Peter Abelard: 12th Century Monophonic Chant,etc 专辑中文名: 阿贝兰德：中世纪僧侣歌曲等 艺术家: Paul Hillier 古典类型: 合唱 资源格式: FLAC 版本: Harmonia Mundi 发行时间: 1998年 地区: 美国 语言: 英语 概述:

专辑介绍： 感谢资深乐友lvmaoqiu整理资料！ 演唱者： Theatre of Voices [Alan Bennett (tenor), Paul Elliott (tenor), Moira Smiley (mezzo-soprano), Paul Hillier (baritone), Wendie Gillespie (vielle)] & The Pro Arte Singers [Corey Carleton, Sara Colburn, Meredith Ellis, Christine Howlett, Carolina Rodriguez, Beth Sinton, Rachelle Skloff, Andrianna Smela, Moira Smiley, Kristen Toedtman, Catherine Webster, Noa Zechoval, Kevin Bailey, Daniel Carberg, Daniel Cole, Pablo Cora, Paul Ryan, Jonathan Shull, Sumner Thompson] Paul Hiller, director. 在12世纪，拉丁语歌曲的创作吸引了当时一些最有名的人物。他们包括彼得·阿贝拉德、宾根的希尔德加德(Hildegard of Bingen,1098-1179)和莎蒂伦的瓦尔特(Walter of chatillon)。 彼得·阿贝拉德(Peter Abelard,约1080-1142)是一位哲学家、神学家和在巴黎研究和教书的教师。当他快到40岁的时候，他爱上了他的一个学生，修道院一位官员的侄女，20岁的年轻女子赫罗伊斯。他们私通后生了一个儿子，而他们是秘密结婚的。赫罗伊斯的叔叔很愤怒，雇了两个凶手在一个夜晚闯入阿贝拉德的屋里阉割了他。两个恋人被分开后，阿尔拉德进入了修道院，而赫罗伊斯则在附近的修女院中当了修女。阿贝拉德继续他的哲学写作，成为一个著名的哲学家和神学家。后来他为60个修女建立了一座新的修女院，赫罗伊斯在那里任院长。阿贝拉德作为一名教师经常访问那里。他被葬在那里，而他的“前妻，现在是基督的修女”的赫罗伊斯，后来也埋葬在他的身边。 阿贝拉德是12世纪最有影响的作者之一。他的评注和论文得到人们广泛的阅读，他所教的学生遍及欧洲。他留有一本自传和他与赫罗伊斯之间的一些生动的信件，通过这些，他们的爱情力量仍然在放射着光芒。 我们知道阿贝拉德还是一位作曲家。赫罗伊斯描述过大量他写的情歌，说它们的“语言和音乐都很迷人而甜美的，旋律很柔和”。他也写过赞美诗和悲歌。不幸的是他的很多音乐失传了，只有一首赞美诗的歌词和旋律，以及六首旧约主题的悲歌幸存下来。 阿贝拉德的悲歌之一是写大卫王哀悼扫罗、武士和大卫的也是战死沙场的密友约拿丹的（“胜似兄弟，共享一个灵魂”）。阿贝拉德从《撒母耳记》、《历代志》和《列王纪》中选取故事，诗歌从政治转向个人的不幸，带有精妙的力量和计时。歌词的形式使人想起晚期的继续咏，带有一种类似的节拍和韵律，以及成对的诗行。音乐大多用第7调式，即混合利第亚调式，但它开始和结束在变格的混合利第亚调式上，因此它有了一个八度的宽广音域。不寻常的宽广音域是悲歌旋律的特点。悲歌的风格在音节式与花唱式风格之间建立了一种高度的表情上的对比。 （[美]杰里米·尤德金著 余志刚译《欧洲中世纪音乐》中央音乐学院出版社） 本专辑手稿 Codex Las Huelgas之介绍（引自 Wikipedia）： The Codex Las Huelgas (E-BUlh) is a music manuscript or codex from c. 1300 which originated in and has remained in the Cistercian convent of Santa María la Real de Las Huelgas in Burgos, in northern Spain. The convent was a wealthy one which had connections with the royal family of Castile. The manuscript was rediscovered in 1904 by two Benedictine monks who were researching Gregorian chant. The manuscript contains 45 monophonic pieces (20 sequences, 5 conductus, 10 Benedicamus tropes) and 141 polyphonic compositions. Most of the music dates from the late 13th century, with some music from the first half of the 13th century (Notre Dame repertory), and a few later additions from the first quarter of the 14th century. Many of the pieces are not found in any other manuscripts. It is written on parchment, with the staves written in red ink with Franconian notation. The bulk of material is written in one hand, although as many as 12 people contributed to it, including corrections and later additions. Johannes Roderici (Juan Rodríguez in modern Spanish) inscribed his name in a number of places in the manuscript. He may have composed a couple of the pieces in the manuscript, as well as being scribe, compiler, and corrector, according to his own inscriptions. The manuscript was intended for use in performance, and raises questions regarding performance practice of the pieces it contains, especially the polyphonic repertory. The monastery had a choir of 100 women at one point in the 13th century, and it is believed that this choir of women performed the polyphonic works in the manuscript, despite the Cistercian rules against the performance of polyphonic music. The manuscript contains two-part solfège exercises with notations on their use in the convent.[1]

专辑曲目: 1. Abelard: O quanta qualia 6:12 2. Abelard: Virgines caste 8:22 3. Abelard: Planctus cigne 3:12 4. Codex Las Huelgas: Quis dabit 3:20 5. Codex Las Huelgas: O monialis 3:40 6. Codex Las Huelgas: Rex obiit 3:26 7. Codex Las Huelgas: Plange, Castella 2:58 8. Abelard: De profundis 11:21 9. Abelard: Epithalamica 8:29 10. Abelard: Planctus David 15:01