Whitney Houston -I'm Your Baby Tonight(今夜属于你 )[黑胶 24 bits 192 KHz][FLAC]_eD2k地址

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资源信息： 专辑英文名: I'm Your Baby Tonight 专辑中文名: 今夜属於你 歌手: Whitney Houston 音乐风格: 流行 资源格式: FLAC 版本: [黑胶 24 bits 192 KHz] 发行时间: 1990年 地区: 美国 语言: 英语 概述:

专辑介绍: ★全球销售1200万张的惠妮第3张个人专辑 ★葛莱美奖制作人Babyface、R&B巨星Stevie Wonder联手制作 ★收录告示牌单曲榜冠军"I’m Your Baby Tonight"、"All the Man That I Need" 【内附英文歌词】 发行於1990年【I’m Your Baby Tonight】是惠妮的第3张个人专辑，11首歌曲中出现2首告示牌单曲冠军"I’m Your Baby Tonight"以及"All the Man That I Need"，全球销售1200万张，让她持续坐稳自80年代以来的流行天后第一席位。 产品条码： 0886975418121 产品编号：A754181 发行公司：ARISTA (发行商品) 发行日期： 2013/08/30 发行类型：英文/CD/流行 内装片数: 1片 一代天后惠妮休士顿Whitney Elizabeth Houston(1963~2012)，在2月11日过世，得年48岁，十分令人意外。她是80、90年代叱吒风云的情歌天后，以宽广的音域、有力的歌声、极强的感染力著称。同期玛丽亚凯莉Mariah Carey、席琳狄翁Celine Dion稍可匹敌。1977年即出道，早年与母亲在夜总会演唱，并担任模特儿，直到1985年才发行第一张个人专辑《Whitney Houston》。总共才发行过7张个人专辑，并不算多。《Whitney Houston》(1985)、《Whitney》 (1987)、《I'm Your Baby Tonight》(1990)、《My Love Is Your Love》(1998)、《Just Whitney》(2002)、《One Wish: The Holiday Album》(2003)、《I Look to You》(2009)。1985年~1995年间有11首告示牌排行榜第一名单曲。较为特别的是她的成名曲有很多翻唱歌曲以及电影歌曲，无名歌被她唱过加持过后，变得威力十足；1992年她与凯文科斯纳主演《终极保鑣The Bodyguard》大红，透过电影无远弗届的魅力，成为全球家喻户晓的天后；1992年与歌手Bobby Brown结婚，婚后禁药、被家暴事件频传，形象、事业皆下滑，不如以往。2012年惠妮休士顿遗体在美国加州比佛利山庄希尔顿酒店房间的浴缸内发现。 商品条码 : 4007192610396 商品编号 : 261039 艺人/团体 : 惠妮休斯顿 Whitney Houston - 查看所有专辑 专辑名称 : 亲爱的今夜属於你 (20位元数位发烧系列黄金版CD) I``m Your Baby Tonight 音乐类型 : 西洋 [CD 专辑] 发行公司/日期 : SONY MUSIC　 制作公司 : 内含片数 : 1 持续成功：1987~1991 惠妮的第二张专辑 Whitney 在 1987 年 6 月发行。成为历史上首位女歌手第一次进入美国和英国告示牌最佳销售 200 名排行榜，并同时在世界多个国家得到冠军。这张专辑的前四首歌曲 "I Wanna Dance With Somebody (Who Loves Me)" 、 "Didn't We Almost Have It All" 、 "So Emotional" 和 "Where Do Broken Hearts Go" 都到达了告示牌排行榜热门 100 名单曲 (Billboard Hot 100) 的第一名，而连续七週的纪录更打破之前披头四乐队 (The Beatles) 和比吉斯 (Bee Gees) 维持的连续六週的纪录。该张专辑的第五首也是最后一首单曲 "Love Will Save the Day" 亦同样进入热门 100 排行榜的前 10 名。Whitney 被证实在美国就销售了 900 万张，在全世界更热卖了接近 2000 万张。不过部份评论者认为惠妮被阻碍了，像 RollingStone 就评论「这种天份被引导进入狭小的路径让人感到沮丧」。 惠妮在 1988 年拿到她的第二座葛莱美奖「最佳流行歌曲女演唱人奖（I Wanna Dance with Somebody ）」，并开始了全球性的 The Moment of Truth 巡迴演唱。同年，她为 NBC 录制了 1988 年奥运报导的歌曲 "One Moment in Time" ，到达美国排行榜第 5 名，而英国和德国则双双拿到冠军。 经过前两张专辑的成功，惠妮已经成为了融合多种音乐风格的超级巨星。但仍有不少评论者批评她的音乐太乏味，声音也太白没有经过修饰。甚至在 1989 年的灵魂列车奖 (Soul Train Music Awards) 典礼上，当惠妮的名字被宣佈入围时，有观眾当场发出嘘声。这让这位流行歌手为她的音乐进行更多学习。在 1990 年 11 月发行的第三张专辑 I'm Your Baby Tonight 当中，惠妮和 Babyface 、 Luther Vandross 和史提夫‧汪达 (Stevie Wonder) 等人合作。这张专辑展现了在旋律感人的曲风、或是流行抒情歌曲、甚至是动感的舞曲，惠妮都有全新的詮释。这张专辑到达告示牌最佳销售 200 名排行榜的第 3 名，并被证实在美国就销售了 400 万张，在全世界更卖了 1000 万张。该专辑中的前两首歌 "I'm Your Baby Tonight" 和 "All The Man That I Need" 都到达了流行歌和 R&B 排行榜的第 1 名。第三首 "Miracle" 到达第 9 名、第四首 "My Name Is Not Susan" 则是第 20 名。第五首 "I Belong to You" 到达 R&B 排行榜前 10 名，另外由 Stevie Wonder 命名的歌曲 "We Didn't Know" 则是 R&B 排行榜前 20 名。即使这张专辑的销售量比起之前两张下降不少，但却得到了评论者的好评。 RollingStone 认为这是惠妮「最好也最完整的一张专辑」。 惠妮在 1991 年 1 月的第 25 届超级盃演唱美国国歌 (The Star-Spangled Banner)。她的演出录音被发行为商业单曲，到达了美国热门 100 单曲的前 20 名。这是首次有歌手让国歌进入热门排行榜（在 10 年后的 911 事件时，这首歌被重新发行，并进入了前 10 名）。惠妮将她在这首歌得到的收益捐给美国红十字会。而那场传奇性的演出也在 2003 年被美国国家美式足球联盟 (NFL) 认定为联盟史上「最好的 25 个时刻」之一。美国的 VH1 电视频道也认为那是影响电视的最重要时刻的第 12 名。 1991 年惠妮开始了 I'm Your Baby Tonight 世界巡迴演唱会，但被 Rolling Stone 票选为是「年度最差巡迴演出」，这场巡迴演出的售票也不如前一次演出般的理想。惠妮随后参与了在维吉尼亚州，为从波斯湾战争归来的士兵所举行的「欢迎英雄回家音乐会 (Welcome Home Heroes Concert)」，这场演出在 HBO 频道进行电视播出，并随后发行家庭录影带。所得都捐助於慈善事业。 http://blog.xuite.net/pgjwl1966/twblog/131...Houston) 1. I'mYour Baby Tonight 亲爱的今夜属於你 2. My Name Is Not Susan 我非苏珊 3. All The Man That I Need 男性典范 4. Lover For Life 永远的恋人 5. Anymore 无 法再多 6. Miracle 奇蹟 7. I Belong To You 我属於你 8. Who9 Do You Love 你心所属 9. We Didn't Stevie Wonder 无法得知 10. After We Make Love 云雨之后 11. I'm Knockin 侵佔你心 Label: Arista ‎– 211 039, Arista ‎– S 211 039 Format: Vinyl, LP, Album Country: Europe Released: 1990 Genre: Funk / Soul, Pop Style: Contemporary R&B, Dance-pop, New Jack Swing, Soul Whitney Houston indulges few quirks, follows few agendas. When, after much planning, she sprang her mega-successful 1985 debut, Whitney Houston, on the world, Houston's Manhattan-soul stylings, dance-pop workouts and Dior ballads seemed as poised for mass favor as the tunes of Michael Jackson or Madonna. The difference was that this silver-toned child of roaring gospel and streamlined pop — she's Cissy Houston's daughter, Dionne Warwick's cousin — had no covert ambitions to redirect America's cultural appetites. She may have in 1982, when she recorded, auspiciously, with Bill Laswell and Material, who always had one hell of an agenda. But that was before she signed with Clive Davis and Arista and determined to become a sovereign pop singer — and to go septuple platinum. What Houston has always possessed in abundance is a voice, the strongest of pop advantages. I'm Your Baby Tonight — Houston's third, best and most integrated album — amounts to a case study in how much she can get out of her luscious and straightforward vocal gifts within a dancepop framework. All six producers and recording teams on I'm Your Baby Tonight defer to her singing. With Narada Michael Walden — whose cheesy brass synths on "I Wanna Dance With Somebody (Who Loves Me)," from 1987, couldn't stop that explosive single from going to Number One — Houston refines two of her signature styles: state-of-the-art dance pop and baroque ballads. On "Lover for Life," a delicious handling of a questionable metaphor about being "sentenced" to domestic bliss, and "I Belong to You," which acts out its claim in a penthouse bedroom, Walden uncorks high-end grooves accented by pinballing counterrhythms. And Houston and Walden control "All the Man That I Need," an outsize ballad about poverty and damaged self-regard, so expertly that the song, with its effective whiff of Spanish guitar, stages undeniable pop drama. Producers L.A. Reid and BabyFace, who make music with Houston on four songs, take a more youthful tack. Their sharp recastings of Seventies black pop and funk bop set against thumping Eighties dance rhythms are lean, mean and virtually invisible compared with Walden's arrangements. When Houston's compressed yet still testifying vocal zigzags through the title hit single, stipulates in no uncertain terms that "My Name Is Not Susan" or executes the fast kiss-off in "Anymore," it is because L.A. and BabyFace have led her into new, less formal territory, where she sheds her gowns, swings and sounds confident, rhythmically challenged and very much at home. Conversely, when L.A. and BabyFace follow her into ballad-land on the despondent "Miracle," Houston's own moods call the shots more clearly. Together, Houston and L.A. and BabyFace seem like a natural, well-balanced, if not yet completely killer, team. Houston sings "Who Do You Love," a fluffy Luther Vandross production, on I'm Your Baby Tonight, plus an ultraromantic song that celebrates the moments "After We Make Love." Produced by Michael Masser, the latter tune's effects-happy glow makes some sense, but Houston belts out the lyrics as though she's recording the national anthem of Venus. And with Rickey Minor, Houston herself produces "I'm Knockin'," a fine piano-led jaunt through a page in the diary of a modern-day career girl; relatively rough and tumble, it could almost be titled "I'm Rockin'." Still, the key to the kind of music Houston sings on I'm Your Baby Tonight — the black-and-white, funk-and-dance-driven pop that is the soundtrack of this cultural moment — is "We Didn't Know," Houston's duet with producer Stevie Wonder. Wonder, who practically invented the keyboard-based pop that Houston and her fans hear as natural and contemporary, understands Houston totally. He knows what she likes about the expressive properties of ballads, about the passion of rock, about the well-regulated technological zing of dance music. So, as he's done before in his own music and with other singers, he puts all of this — the barreling rhythm tracks, the soaring choruses, the personable background voices — at the service of "We Didn't Know," which is about when "innocent friends/Turn serious lovers." Chances are — and with any luck — this emotionally engaged song on Whitney Houston's consistent and resourceful album will affect the music she sings for the rest of her life. Houston may already be a remote kind of classic, but if her work with L.A. and BabyFace and Stevie Wonder provides any true indication, don't be surprised if she loosens up even more, moves even closer. Companies, etc. Phonographic Copyright (p) – Arista Records, Inc. Copyright © – Arista Records, Inc. Distributed By – BMG Records Distributed By – BMG Ariola Credits Executive-Producer – Clive Davis Producer – L.A. & Babyface (tracks: A1, A2, A5, B1), Narada Michael Walden (tracks: A3, A4, B2) Notes Comes with printed inner. A variation exists with label printing 36 496-8 instead of 211 039 on both sides. Barcode and Other Identifiers Matrix / Runout (Side A): 211039 08 30299 20 4A1 B Matrix / Runout (Side

: 211039 08 30299 20 3B1 B Matrix / Runout (Label A): 08-030299-20-1 Matrix / Runout (Label

: 08-030299-20-2 Label Code: LC 3484 Rights Society (boxed together): BIEM, GEMA Barcode: 4007192110391

Whitney Elizabeth Houston (August 9, 1963 – February 11, 2012) was an American singer, actress, producer, and model. In 2009, Guinness World Records cited her as the most awarded female act of all time. Houston is one of pop music's best-selling music artists of all-time, with an estimated 170–200 million records sold worldwide. She released seven studio albums and two soundtrack albums, all of which have diamond, multi-platinum, platinum or gold certification. Houston's crossover appeal on the popular music charts, as well as her prominence on MTV, starting with her video for "How Will I Know", influenced several African American women artists who follow in her footsteps. 专辑曲目: 01. I'm Your Baby Tonight 02. My Name Is Not Susan 03. All The Man That I Need 04. Lover for Life 05. Anymore 06. Miracle 07. I Belong To You 08. Who Do You Love 09. We Didn't Know 10. After We Make Love 11. I'm Knockin'