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别 名:我的女孩,我的天使
导 演:Alexis Durand-Brault
主 演:Pierre-Luc Brillant Christian Bégin Michel Côté 舍治·哈德 Laurence Leboeuf( Y6 I1 s/ D: x4 P: k4 b% w
类 型:
上 映:2007年2月16日 加拿大. \1 }6 m( a5 D1 e: o' ?4 O- p
地 区:加拿大
对 白:法语: ]' @$ S" K& A+ S) w4 [
评 分:6.0/10 (211 votes)
颜 色:彩色
声 音:
时 长:85 分钟
分 级:. w2 g6 `7 C/ n- W0 |6 K% L! W
链 接:www.tianlun8.com
剧 情:
Watched this on the satellite movie channel, and found, in the end, that
it was fairly slight but entertaining. More so than many other movies, I
found myself going through stages of like and dislike as My Fille, Mon
Ange played out. My most serious condemnation, I think, is that I never
completely got out of the mode of knowing that I was watching a movie
(and the accompanying feeling of...how are they trying to manipulate
me), as opposed to simply getting engrossed in the story.% B* k6 o3 G+ r( |' X! }6 k
My single largest 'like', I think, was more 'relief' than like: the
storyline and the start of the movie had me wondering if these was going
to be an unsubtle morality tale depicting the, gasp, horrors of
pornography and pornographers. That's not a good thing, because I like
both my heroes and my villains, even pornographers, to be a whole lot
more rounded than that.
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By the end, though, this was clearly a depiction of one family's
response to an evolving situation, and it's pretty clear than there's
not a lot of ground higher than the rest. Almost every character is
depicted as conflicted or ambiguous in some way. Mr. Dagenais reacts
viscerally to the prospect of his daughter having exhibitionistic sex,
notwithstanding that he finds out about this while surfing porn sites
while his wife waits in bed for him. The porn producer has a business to
run, but in the end, gives Nathalie the opportunity to opt out...which
she declines. Nathalie is going wild in Montreal, but we also see her
writing an exam the morning of her shoot. She also clearly smiles at
herself, looking into a mirror while having sex. Angelique criticizes
Nathalie for contemplating doing a web porn shoot, but is a druggie
stripper.
So, then, I'd argue that the theme is 'over-reaction', and the resulting risks.
The story was interesting enough, and I thought the performances were, on the whole, quite good.
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The things I didn't like, and there were a few: - the non-linear story
track didn't seem to be that effective or well-handled to me... - some
of the dialog, and some of the acting, seemed a trifle clichéd and
overwrought; some of that may have been 'lost in translation while on
the way to the subtitles' effect, but I'm not sure... - I found the 'as
subtle as a 2-by-4' observations about the decline of the church to be
ineffectively heavy-handed.$ }% L# D' q* D 2 X, z' A4 m% G0 q
One plot aspect that got in the way of my enjoyment is the concept of
the enforceability of Nathalie's contract to 'perform'... I am
definitely not an expert, but I don't think that any contract for sexual
services is enforceable--and if the issue were 'pressed', I'm confident
that criminal law regarding assault and sexual assault would trump the
civil contract. And if Nathalie did break the civil contract, the
pornographer's recourse would be limited to the losses incurred, which
he would have to prove. So, I thought this was an extraneous plot
element that really didn't add anything beyond table thumping
opportunities.) p* V; j) _, @6 X+ Y7 [, u6 _9 v0 C ) c4 |1 `, ?; c; t3 y# g+ {) P Q
My last comment, in passing: the keywords for this movie include anal
sex and painful sex. While I can see where one might have inferred same
should one be inclined to rush to that inference, I'd argue that the
scenes are much too brief, much too ambiguous to conclude that either
occurred.
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