Howard Shelley -薛利

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资源信息： 专辑英文名: Benjamin Godard - The Hyperion Romantic Piano Concerto series Vol. 63 专辑中文名: 薛利 - 浪漫的钢琴协奏曲,第63集 艺术家: Howard Shelley 古典类型: 全集作品 资源格式: FLAC 发行时间: 2014年07月08日 地区: 美国 语言: 英语 概述:

专辑介绍: BBC音乐杂誌四颗星 「这张专辑和同系列其他作曲家最大的不同就是班杰明．高达的照片与好莱坞明星强尼．戴普的相似度高达90%，我们应该直接将这张专辑锁定在少女市场！」笔者看到Hyperion的介绍时不禁莞尔，这也太幽默了吧！ 向来以开发浪漫乐派未知的钢琴协奏曲为目标的浪漫钢琴协奏曲系列进入第63集，主角是19世纪法国作曲家班杰明．高达的第一、二号钢琴协奏曲。撰写解说册的杰瑞米．尼可拉斯说「高达是兼具马斯奈丰富感性的旋律魅力和圣桑结构技巧的优秀作曲家」。曾写过无数类型作品的高达在身后留下的钢琴独奏作品就超过七十首，在风格上他跟随孟德尔颂和舒曼一脉的传统，可惜在当时音乐风格推陈出新风起云涌的年代，这种保守语法反而让他名气日渐下滑，直到今日几乎已被人遗忘。但是，收录在专辑内的三首钢琴作品在技巧方面高达绝对是大幅领先他的两位偶像，绚烂华丽的表现手法甚至轻易的就让人联想到同期的李斯特和鲁宾斯坦。 演奏组合是在本系列有十来张录音，也是大家再熟悉不过的霍华．薛利与塔斯马尼亚交响乐团。两者合作多年默契自然不在话下，对乐曲的深度瞭解连带让詮释刻画入木三分。在两者的完美搭配下，我们终於能够重新体会这位帅哥作曲家的音乐魅力并且给予全新的评价。 Howard Shelley 薛利 【hyperion】浪漫的钢琴协奏曲,第63集 - Godard : Piano Concertos(Howard Shelley) 霍华．薛利是英国皇家音乐院荣誉院士，也是瑞典室内管弦乐团音乐总监，他一向喜欢同时担纲独奏兼指挥，对罕见浪漫曲目特别拿手。 Composer: Benjamin Godard Title: The Romantic Piano Concerto volume 63 Orchestra: Tasmanian Symphony Orchestra Artists: Howard Shelley Works: Concerto for Piano and Orchestra no. 1 in A minor op. 31. Concerto for Piano and Orchestra no. 2 in G op. 148. Introduction and Allegro op. 49. CDA68043 Performer: Howard Shelley Orchestra: Tasmanian Symphony Orchestra Conductor: Howard Shelley Composer: Benjamin Godard Audio CD (July 8, 2014) Number of Discs: 1 Format: Import Label: Hyperion ASIN: B00KKXTN3M The Romantic Piano Concerto 63 - Godard Godard, B: Piano Concerto No. 1 in A minor, Op. 31 Piano Concerto No. 2, Op. 148 Introduction et Allegro pour piano et orchestre, Op. 49 The Romantic Piano Concerto Benjamin Godard (1849-1895) Howard Shelley directs the Tasmanian Symphony Orchestra from the piano in this latest volume of The Romantic Piano Concerto series. As ever, they perform unknown music with consummate style and deep understanding, making the best possible case for the works. We have reached Volume 63 and the works of French composer Benjamin Godard, a figure who is almost totally forgotten today. He is described by Jeremy Nicholas in his booklet note as ‘a composer who combines the sentimental melodic appeal of Massenet with the fecundity and technical facility of Saint-Saëns’. Among Godard’s oeuvre, well over seventy opus numbers are devoted to works for solo piano, ranging from Les contes de Perrault, Op 6, to Valse No 15, Op 153. His Hommage à Chopin can be found on Hyperion CDA67803, performed by Jonathan Plowright. Much of the enormous amount of music he produced followed in the tradition of Mendelssohn and Schumann (his admiration for the latter inspired a string quartet arrangement of Kinderszenen in 1876). With the emergence of more innovative composers, Godard’s conservative idiom meant his reputation faded before his early death in Cannes on 10 January 1895. However, in the three works presented here his writing for the piano exceeds the technical range of his two idols, and is often reminiscent of the bravura demands found in the concertos of Liszt and Rubinstein. In sharp contradistinction to the rest of the composers in this series, all of whom look like walruses, Benjamin Godard looks quite a lot like Johnny Depp in his daguerreotype. We should be marketing this directly to teenage girls. Howard Shelley directs the Tasmanian Symphony Orchestra from the piano in this latest volume of The Romantic Piano Concerto series. As ever, they perform unknown music with consummate style and deep understanding, making the best possible case for the works. We have reached Volume 63 and the works of French composer Benjamin Godard, a figure who is almost totally forgotten today. He is described by Jeremy Nicholas in his booklet note as ‘a composer who combines the sentimental melodic appeal of Massenet with the fecundity and technical facility of Saint-Saëns’. Among Godard’s oeuvre, well over seventy opus numbers are devoted to works for solo piano, ranging from Les contes de Perrault, Op 6, to Valse No 15, Op 153. His Hommage à Chopin can be found on Hyperion CDA67803, performed by Jonathan Plowright. Much of the enormous amount of music he produced followed in the tradition of Mendelssohn and Schumann (his admiration for the latter inspired a string quartet arrangement of Kinderszenen in 1876). With the emergence of more innovative composers, Godard’s conservative idiom meant his reputation faded before his early death in Cannes on 10 January 1895. However, in the three works presented here his writing for the piano exceeds the technical range of his two idols, and is often reminiscent of the bravura demands found in the concertos of Liszt and Rubinstein.

专辑曲目: Piano Concerto No 1 in A minor Op 31 [29'54] 01. Andante – Allegro vivace [9'48] 02. Scherzo: Allegretto non troppo [4'38] 03. Andante quasi adagio [8'29] 04. Allegro ma non troppo (Vivace) [6'59] Piano Concerto No 2 in G minor Op 148 [28'35] 05. Con moto – Allegro – Moderato [9'35] 06. Andante – [7'17] 07. Scherzo: Allegretto [3'10] 08. Andante maestoso – Moderato [8'33] Introduction and Allegro Op 49 [11'42] 09. Lento [5'20] 10. Allegro [6'22]